Sixteen-year-old Memphis singer, Brooke Fair is gearing up to release her new single, “Universe.” Surviving the Golden Age is excited to premiere the track. READ MORE…
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The Bluegrass Situation Premieres Laura Rabell’s New Track “This Stone”

“”This Stone” is about trying to make something work but coming to the realization that it never will—you can keep on being miserable or make a change. It’s about walking away, and it turned out to be prophetic. It foreshadowed some important emotional truths I ended up facing. And I’ll be damned if the Pfaltzgraff wedding china I inherited from my grandmother didn’t literally start cracking and falling apart! Be careful what you write, I guess.
I came up with a first draft of “This Stone” with my friends Paul Ivy and Norm McDonald—who had both been through a divorce—and I just couldn’t get the song out of my head. I played it over and over alone in my room. At first, I was thinking it was just a rough sketch, and that the lyrics still needed a lot of work. But the more I played it, the more every line just felt so achingly true and honest. I couldn’t bring myself to change a word, and Norm and Paul couldn’t either. Whenever I sang it, there was something that connected on a deep, emotional level.
This was toward the end of working on the new record, so I called my producer, Dave Coleman, and asked if we could squeeze in one more session. We went into the studio with Jeff Thorneycroft on bass and Pete Pulkrabek on drums, just as everyone was getting ready to go out of town for Christmas. Along with “Ride the Wolf,” another song we cut in the final session, “This Stone” was the last piece of the puzzle we needed to finish the record. After that, everything felt right. The vibe Dave, Jeff and Pete cooked up was perfect. During overdubs, Dave and my neighbor, Kristen Cothron, added backing vocals that really brought weight and power to the song.
I have a reputation as someone who does not write happy songs. I usually stick to minor keys, I can be a bit macabre, and I’ve been known to kill off a character or two. The day we wrote “This Stone”, Norm came up with the idea about droplets of wine. I, of course, made the connection between wine and blood. And then I started laughing and begging, “Guys, PLEASE let me make this song weird!” Thankfully, Norm and Paul were there to bring it back down to earth and make sure the song felt emotionally true. They were adamant we couldn’t just blame the male character, which I may or may not have a habit of doing. Real life isn’t one-sided like a man-hating country breakup song. It’s more complicated—there’s usually plenty of blame to go around. Plus, the song is sadder that way, which is cool with me.
After the recording was finished, my husband and I had survived an incredibly stressful and tumultuous year thanks to my cancer diagnosis, which inevitably spilled over into our marriage. But “This Stone” gave me a precious gift—it was an outlet for all those feelings deep beneath the surface.”
Buzzbands LA premieres dream-pop/indie-folk artist Misty Boyce’s new single “i do”
In between her estimable work as a hired gun, singer-songwriter-keyboardist Misty Boyce had always made time for her solo career, creating vulnerable, evocative indie-pop with gentle uplift and a grounded point of view. READ MORE…
American Songwriter Premieres Laura Rabell’s New Track “The Mirror”

“With “The Mirror,” Nashville-based singer-songwriter Laura Rabell shows how a song can initially seem like it’s about insecurity – but in the end, it’s really about strength and bravery. She premieres the track on July 15 here at American Songwriter, ahead of releasing her debut album, Immortal, on July 31.
“I’ve always had a love/hate relationship with mirrors and wanted to write about that,” Rabell says. “I don’t usually like what I see in the mirror, and after spending the better part of last year battling breast cancer, including two surgeries and four rounds of chemo, that damn mirror watched as my hair fell out, eyebrows and eyelashes thinned, skin sallowed, and dark circles widened. I grew to hate that inescapable visual reminder of my insecurities – which reminded me a lot of being a teenager, looking in the mirror and asking, ‘Am I pretty enough? Am I good enough?’”
Starting with sparse acoustic guitar, “The Mirror” swells into a swaggering full-band declaration of defiance. Rabell recorded it at Howard’s Apartment Studio in East Nashville with axeman Dave Coleman producing, Jeff Thorneycroft on bass and singing harmonies, and Pete Pulkrabek on drums.” READ MORE…
303 Magazine Reviews David Burchfield’s New Record State to State

“David Burchfield has created a soundtrack to a journey. A journey the musician took both spiritually and physically, illustrated in his latest release, State to State. The 11-track album showcases Burchfield’s decades of dedication to crafting his sound and loyalty to himself, while also highlighting growth, friends and experience.
State to State pops into our ears with the eponymous track, a song that tells a sweet tale of the effort to hang on to life experience despite time and the ways things change inside of it. “State to State” is perhaps the most relatable story from the album, as we all carry memories beyond where we can see. Then true adventure comes full circle in “O Big City,” where Burchfield describes his dream of moving to Colorado first manifesting, before retracting back to an old, strange life that was no longer his. Luckily for us, Burchfield found his way back to colorful Colorado. However, “By The Coast” softly imagines a life away from here, drinking in the rain and living barefoot against a different background.
Each track sketches the plight of an artist taking in the surroundings of an escapade as pertains to the adjustment of a new life. When Burchfield relocated to Utah, he experienced some frustrating aspects initially but becomes soothed by a true home in a person. In “Dishes in the Sink,” Burchfield cites the lyrics, “when I dropped the truck off / at the rental place / I had to walk home / ’cause I didn’t know anyone” as verifiable reality to his first days in the new town.” READ MORE…
Ditty TV debuts Stephie James’ new video for “These Days.”
On “These Days,” Matt Menold of Brittany Howard’s THUNDERBITCH and Brooklyn’s Clear Plastic Masks plays guitar alongside “Little” Jack Lawrence of The Raconteurs on bass. This song embraces the grittiness of garage rock productions and also the bittersweet timelessness of Roy Orbison.