On the cover of Kiely Connell’s debut album “Calumet Queen” is a drawing of her wearing a beauty queen tiara with the spikes forming the outline of the Chicago skyline and the rushing Calumet River behind her, charitably colored green. READ MORE…
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B.Knox demonstrates “expert songcraft” on new LP, Far From Folk, sharing details and new single “Seasons” at Exclaim! Magazine
Far from Folk sees the singer-songwriter taking his folk foundation and reaching outwards, incorporating organ, swooning strings and electric guitar. Aaron Goldstein — B.Knox’s collaborator — multitasks, operating as the album’s producer and the pedal steel player. Yet, despite its experimentation and genre-bending, the forthcoming record remains grounded in Hunnakko’s expert songcraft.
Saving Country Music gives Kiely Connell’s new LP, Calumet Queen, an 8.5/10
It is my distinct pleasure to introduce you to Hammond, Indiana-native Kiely Connell and her debut record Calumet Queen that will send shivers down your spine and prick the very deepest regions of your soul with its sincere and distinct expressions of an unburdening heart. READ MORE…
Ghost Cult Magazine premieres ALL BITE’s new single “Partisan”
The history of true Punk Rock is dotted with sharp minds giving commentary on the politics of the time when we most need it as a people. READ MORE…
Spill Magazine premieres new darkwave/synth-pop single “Waiting” from Brian Michael Henry
New York darkwave/synth-pop artist Brian Michael Henry is preparing to release his new EP, The Horror! The Horror!, a five-track collection of New Wave-inspired alt-pop tracks that examine love and desire from the perspective of classic horror characters. READ MORE…
Americana UK has reviewed the latest record from Matthew Check, The November Album, calling it “acoustically-driven, rootsy country-pop … with a definite early ‘70’s Laurel Canyon sound at times.”
Matthew Check is a singer-songwriter based out of Brooklyn, New York. ‘The November Album’ originally dates from recordings made in 2013, but which are finally seeing the light of day eight years on. This is a really enjoyable collection of acoustically-driven rootsy country-pop songs, with a definite early ‘70’s Laurel Canyon sound at times.