Baby Robot Media

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Ghettoblaster debuts new single from Beekeeper Spaceman, “Beebe,” noting its “synthesized sounds, exposed roots of acoustic guitar, surreal stories and intriguing arrangements that feel like vibrant little worlds unto themselves.”

Born out of an online multimedia project called Fire Bones, the duo—primary songwriter/ singer/guitarist Greg Brownderville and producer/multi-instrumentalist Spencer Kenney—have shared bills with artists like Erykah Badu, Leon Bridges, Shakey Graves and Black Pumas, and have been lauded in both local music outlets (Dallas Observer, Central Track) and national literary publications (Vol. 1 Brooklyn, Virginia Quarterly Review, LITHUB). Brownderville is editor-in-chief of the literary magazine Southwest Review and author of three books of poetry, while Kenney fronts a solo electro-pop project under his own name and is involved with a variety of acts on the Dallas-based Dolfin Records label.

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Punknews debuts new single, “Continue?”, from Super Cassette, writing, “The band’s new track, which seems inspired by AJJ, Jeff Rosenstock, and classic era Tegan and Sara, finds the group juggling heavy questions with Nintendo bleeps.”

Today, we are pleased to debut the new video by Super Cassette!

On Super Cassette’s new album, the band mixes whimsical ’80s video game references with, oh you know, THE IDEA IF LIFE IS EVEN WORTH LIVING? The band’s new track, which seems inspired by AJJ, Jeff Rosenstock, and classic era Tegan and Sara, finds the group juggling heavy question with Nintendo bleeps.

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VENTS Magazine debuts new single from Shane Rennison, “Drunk,” calling it “a track that centers around feelings of insecurity and pulls the curtain back on Rennison’s ‘90s rock influences.”

Indie-pop songwriter Shane Rennison’s Nice To Meet You EP is an earnest five-track collection of songs that feel like a peek into Rennison’s wide-open heart and his beloved home in the Catskill Mountains of New York. That’s where he made many of the memories that fuel his music, which recalls the craftsmanship of The 1975, the sugary synth highs of Passion Pit and the effortless pop prowess of Harry Styles.

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Glide Magazine debuts new single from Old Heavy Hands, “Coming Down,” calling it a “powerful punch that rages with a raunchy early Tom Petty and The Heartbreakers late 70s musical flair and precipitous punk urgency.”

With a band name like Old Heavy Hands, you know there ain’t no messing around with this group of rock and roll lifers from Greensboro, NC. Somewhere between the rugged worlds of Drive-By Truckers, Lucero and Whiskey Myers, Old Heavy Hands might be their most under-valued cousin in the Southern Rock meets punk and Americana island – it’s no wonder they are referred to as “”y’allternative”.

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Everything is Noise debuts new single from The Helltones, “Black Star Pirate BBQ,” noting its “surfy, slap-reverb guitars, the beachy drum beats and absolutely bluesy feel of the vocal melodies.”

What better way to send summer off than with a song about a legendary BBQ joint that hosts great live music, good eats, and plenty of Friday night controlled chaos? Sometimes the catchiest, most memorable, and overall fun songs come from a fairly simple concept. With today’s premiere, delivered by none other than The Helltones, we are blessed with all the above and then some! Grab yourself a plate, pull up a chair, and dig right in to “Black Star Pirate BBQ” immediately!

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Ghettoblaster Magazine debuts new single from Shane Rennison, “Another Chance,” noting, “The single swirls poetically with undulating keyboard melodies and reggaeton rhythms while the lyrics lament for the one that got away.”

Indie-pop songwriter Shane Rennison’s Nice To Meet You EP (out October 13) is an earnest five-track collection of songs that feel like a peek into Rennison’s wide-open heart and his beloved home in the Catskill Mountains of New York. That’s where he made many of the memories that fuel his music, which recalls the craftsmanship of The 1975, the sugary synth highs of Passion Pit and the effortless pop prowess of Harry Styles.

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