Client Press

Austin Chronicle features new single from Giovanni Carnuccio III “P.C.H.D.M.T.” on New Music Worth Your Bandwidth This Week…

The amalgamated acronym “P.C.H.D.M.T” fuses America’s coolest drive, the Pacific Coast Highway, and the world’s greatest hallucinogen, DMT. Just imagine that road “trip” – fractals on Hearst Castle, Big Sur in the spirit world. Giovanni “Nooch” Carnuccio III, who’s hit the drums in Red Dirt acts like Turnpike Troubadours and Cody Canada, now gets weird with genre-spliced beat music like an uncluttered Avalanches. Teasing July LP A Matter of Time, “Nooch” doses a sprightly flamenco guitar arrangement with dance-floor-ready drum breaks and synthesized Italian folk violin. Headphones recommended for the mind-altering stereo panning.?– Kevin Curtin

by Baby Robot Media

Audiofemme premieres psych/dream-pop artist Alexandra Riorden’s moody new single “Dirty Mirror”

Healing is not linear. It doesn’t come in a specific shape or form and it happens differently for everyone. Santa Barbara-based noir pop artist Alexandra Riorden knows this, and harnesses her own experience with darkness and healing in her new single “Dirty Mirror.” READ MORE…

by Baby Robot Media

The Big Takeover debuts powerful new music video from Jon LaDeau, spotlighting the BLM movement & the modern struggle for civil rights

Brooklyn-based folk rocker Jon LaDeau’s new video for his song “Cemetery Road” begins in a cloud of smoke, a police SUV burning and cops blasting protesters indiscriminately with pepper spray as they flood the streets, demanding justice and accountability in the wake of yet another senseless and disturbingly casual murder—another black life snuffed out at the hands of police.

Lyrically and visually, “Cemetery Road” shines a light on American civil unrest in response to the killings of George Floyd, Breonna Taylor, and so many others, amplifying the modern struggle for civil rights against a backdrop of the coronavirus pandemic, police violence, income inequality, homelessness, poverty and general injustice in America.

The footage—culled from last summer’s nationwide BLM protests—captures America in turmoil, collectively experiencing some of the largest demonstrations in the nation’s history.

Glide Magazine premieres Two Cent Revival’s newest single “Happy Hell”

There’s no denying that Matt Jones who performs as Two Cent Revival has a knock-em dead voice that permeates with the rustic flair towards the north of the border 70’s singer-songwriters mixed with certain familiar outlaw country stalwarts. It’s a trusty gravitas that stirs alongside a storytelling knack in the vain of Colter Wall and Ryan Bingham. Two Cent Revival comes full circle with its sound on its new album Demons (out September 3rd, 2021). READ MORE…

by Baby Robot Media

Brazilian publication Roadie Music reviews Craig Gerdes’ new single “I Could Get Used to This”

At faithfully and genuinely representing the American country style, artist Craig Gerdes has shown himself to be among the best. A solo artist, his songs are impeccably produced, with verses that all those who listen can identify with.

As mentioned above, his recent song “I Could Get Used to This” displays his fidelity to the American Country style. The arrangements are well-produced, and Gerdes engages in a real dialogue with listeners in the form of his expressive, sincere and captivating verses.

KUTX debuts new single “PCHDMT” from Giovanni Carnuccio III on Song of the Day, calling it “a bizarrely beautiful instrumental.”

Based right here in Austin, the drummer-producer’s provided percussion for the likes of Turnpike Troubadours and John Fullbright, even racking up a “Best Americana Album” Grammy nomination for the latter.