Coming off a dizzyingly prolific run of releases – this will mark his 11th full-length record in six years – How We See it Now came about by breaking through the social-emotional chokehold that 2020 strapped the world with. Though these songs were not written for or during the lockdown (for that see Grimm’s 2020 solo release A Little Heat), they were born from a flurry of creative output. Grimm holed up at Magpie Cage Studios in Baltimore, MD and culled together a ‘best of’ from his past three years’ worth of Bandcamp output. When he finally sat down to listen to years worth of material, these were the songs that stood out as surefire winners.
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The Columbia Tribune interviews Parker Woodland’s Erin Walter
Opening songs hold the power to crack albums open, revealing the stuff they’re made of and setting mission statements for listeners to reject or embrace. READ MORE…
The Austin American Statesman features Parker Woodland’s new EP in this week’s release roundup
If you’ve driven past the intersection of Parker and Woodland streets in near-south Austin, you’ve seen the origin point of this propulsive indie-rock trio, whose members all lived nearby when they started jamming together. READ MORE…
Coma Girls talk Elliott Smith for LA Weekly’s “My Favorite Album”
I remember the first time that I heard Elliott Smith. One of my first childhood girlfriends had burned me a couple cds and one of them was Elliott Smith’s, Figure 8. READ MORE…
KUTX features Parker Woodland on Austin Music Minute
The musical love fest continues with Love Austin Music Month. KUTX, partnering with the City of Austin Music and Entertainment Division and the Austin Music Foundation, steps up to represent Austin music, which includes the Austin Music Minute spotlighting virtual performances by local artists. READ MORE…
Glide Magazine reviews Juana Everett’s new LP, Move On
Juana Everett’s first full length, Move On, is a mostly great take on folk rock, infusing the genre with piano and soulful vocals for an inspired update. The two strongest tracks on the record also happen to bookend it, with the upbeat, seemingly autobiographical “Drifter of Love” kicking off the collection: The record closes on the sublime piano ballad, “Little Tragedies”. READ MORE…