“This was the last song we wrote for the album. We were over at Jenny’s house, and we were talking about needing one more rockin’ song for the album. I sat on her couch and summoned Janis Joplin to help us out. The chords literally poured out from my hands. Jenny and I looked at each other and she immediately grabbed her phone, a pen, and we recorded the first draft. The song came together fairly quickly. Jenny created this beautiful scenery and imagery with her lyrics and I just love the story she tells in this song. We’ve all been there, and have felt those feelings before.” – Angela Petrilli
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Kyle Daniel’s “Don’t Give Up On Me” Premieres on Wide Open Country
Trying to make it in the unforgiving music business is not for the weak. For every triumph there’s seemingly endless stops and starts, heartbreaks and disappointments. To succeed, you’ll need a rallying cry. Kyle Daniel’s “Don’t Give Up on Me,” which Wide Open Country is premiering today, is an anthem for anyone facing an uphill battle.
The song is the latest release from Daniel’s forthcoming sophomore album What’s There to Say? (out on March 15). Daniel says the tune is a mantra to stay on track in the face of adversity.
Jennah Bell shares new single at The Bluegrass Situation
In Their Words: “In my early twenties, I would often find myself trying to have ‘the correct emotional response’ in confrontational situations. Smile instead of cry. Laugh instead of scream. This song was written in a moment of observing how fear was standardizing my ability to be vulnerable. Over time, I realized that one small act of bravery could be crying instead smiling, and living that truth out in the open. This song is an ode to that.” — Jennah Bell
Brad Byrd Announces New Album and Shares Single with PopMatters
Set to release his fourth album on 3 May, Brad Byrd sees himself standing at a vantage point from which he can look back at the ebb and flow of the life he’s led thus far. Appropriately titled Phases, Byrd’s latest has the Los Angeles singer-songwriter blending indie rock and alt-country influences as he always has, but framed in the sense of each song focusing on a particular highlight in his own story. Taking a look back while propelling his ethereal sound forward, Byrd casts a wide sonic net to craft realms awash with spacey reverb, delay, and layers of rhythms and riffs laid out across electric guitar and keyboard-driven synth.
Gary Hayes Country Features Boo Ray’s New Album “Tennessee Alabama Fireworks”
Boo Ray is back with his first album since 2016’s Sea Of Lights. That album saw him stretching out his country fried rock and roll sound a bit while this new one sees him landing more firmly in honky tonk territory. There are plenty of rockin’ moments to be found here, but this album is in my opinion his most country leaning. Let’s take a deeper dive into this record.
Paste Magazine Reviews Church Girls new EP, 𝐶𝑦𝑐𝑙𝑒𝑠
The re-emergence of girl-driven garage rock is one of the best trends of the last few years. It isn’t easy to balance the discordant and the beautiful. Post-punk requires a bare soul and poetry wrapped in barbed wire. With Cycles’ fuzzy guitars and hard-driving drum beats, Church Girls manage to keep the garage rock sound alive without irony.