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mxdwn premieres Cheap Tissue’s titular single

Los Angeles quartet Cheap Tissue play punk the way it was meant to be: fast, no-frills and with a hard-hitting attitude. They fit perfectly into the lineage of classic punk bands, a few of which (The Vibrators, The Zeros) they’ve even opened for. mxdwn has the premiere of the title track from the band’s self-titled LP, which will be released on March 2. The group consists of members Andrew Taylor (Guitar), Jesse Youngblood (Guitar), John Tyree (Bass) and Matthew Spizer (drums).

Taylor and Youngblood lead the way vocally, delivering caustic yelps atop the blistering instrumentals. The four musicians move all over the punk spectrum, varying tempos and chord progressions to make the song feel a lot longer than its sub-two-minute runtime. Cheap Tissue is promised to be “12 tracks of unapologetic, blitzkrieg rock.” Speaking to the punk rock attitude of the band, their album was produced by Ignacio Gonzalez of Lolipop Records over the course of one session. That’s jammin’ econo. READ MORE…

by Baby Robot Media

No Depression shares Thorp Jenson’s new video “Oklahoma”

“Oklahoma” showcases Richmond, VA’s Thorp Jenson’s disarmingly catchy songwriting and free-spirited knack for blending the kind of anthemic, psych-tinged indie rock and Americana perfect for echoing out across the festival masses, from Bonnaroo to Coachella. Jenson’s “Oklahoma”—featuring warm, soulful vocals atop blankets of chiming guitar and subtle electric organ—explores the mental space between what is and what could be. READ MORE…

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

Great Peacock Display their Musical Colors on New Album, Premiere “One Way Ticket”

“A peacock has so many colors, and that’s what we want our sound to be like. It’s clearly rock ‘n roll. It’s clearly country. It’s clearly folk. There’s definitely blues and elements of R&B in there, too,” says Nelson.

With their forthcoming sophomore release, Gran Pavo Real, Nashville’s Great Peacock?? Andrew Nelson (lead vocals and guitar), Blount Floyd (guitar), drummer Nick Recio (drummer) and Frank Keith IV (bass)?? obscure the lines between rock ‘n roll, folk, blues, and Americana while tackling the universal themes of heartache, loneliness, and desperation with a striking emotional precision.

Recorded at Nashville’s Sound Emporium, the breadth of Gran Pavo Real is apparent on first listen. Produced by Dexter Green (Jason Isbell, Elizabeth Cooke), who aided the quartet in fusing varied sonic elements, the ten tracks lead the listener into songs both heartbreaking and brittle to those more desolate and uneasy. Enlivened by their nimble musicianship, lyrical insight, and Nelson’s soulful vocals, the band’s grooves run thick on “Rattlesnake,” cut to the bone on “Oh Deep Water,” and emit a palpable yearning on “All I Really Want Is You.” Today, the band shares their first single from the project, “One Way Ticket.” A solid drumbeat lays the foundation for the sweeping, hymn-like track that is supported by alluring key-work, dynamic guitar solos, and Nelson’s hypnotic vocals which tell the story of a free soul who’s reminiscing and finding his path.

Blount Floyd had this to say about the album,

“I’m sure most bands deal with the same trials and tribulations in what is best described as the journey of making a record, I am here to tell you our story of how Gran Pavo Real came to fruition. It always begins and ends with the songs, which some have been kicking around for quite a while…”

by Baby Robot Media

Ross Cooper – “Lady of the Highway” (audio) (premiere)

Behind every great country artist is a song about hitting the road. Johnny Cash has “I’ve Been Everywhere”, Merle Haggard has “White Line Fever”, and, of course, Willie Nelson has “On the Road Again” under his hat. In a sense, Nashville’s Ross Cooper is following tradition with “Lady of the Highway”. Meanwhile, the cowboy-turned-music artist is carving his path forward on the Americana circuit.

Sonically, Cooper doesn’t ramble like Cash’s road anthem, nor does he really intend to soar like Willie Nelson. He doesn’t quite trudge through the swamps either. “Lady of the Highway” is a brisk, but mellow and an emotional, but comforting tune with a heart all its own. Cooper shows his storyteller’s chops off on the track here beside his ability to front a band. It’s no wonder why many are pegging him as one of the top dogs in Nashville to look out for these days.

It doesn’t hurt that the song was produced brilliantly by Nashville icon Eric Masse (Miranda Lambert, Rayland Baxter), either. Additionally, it’s a co-write with Jordan Lehning and Andrew Combs, both of whom have been known for prolific contributions to the Americana circle themselves throughout the years. The premiere of “Lady of the Highway” predates the release of Cooper’s upcoming album, I Rode the Wild Horses, coming 9 March 2018.

by Baby Robot Media

11 QUESTIONS TO A NASHVILLE MUSICIAN: ROSS COOPER

When asked what Americana music was, my flippant answer was “Country music that doesn’t suck.” I later gave a more detailed one which described an Americana artist to be one who writes their own songs, plays an instrument and sings without Auto-Tune. In other words, there’s much more to the package than just wearing a hat and warbling on stage.

Ross Cooper is one new Americana artist who I find satisfying on all three counts: writing, playing and singing. And if there’s justice in Music City, his upcoming record “I Rode the Wild Horses” will surely get him the notice he deserves. About wearing that hat, Cooper has every right to do so. For as the haunting title track of his record reveals, Ross was once a rodeo cowboy back in his native Texas.

While the Lubbock native’s bio comes with an enticing RIYL (“recommended if you like”), I was also equally impressed with his RBHL (“recommended because he likes”) that you will read below. My thanks to Ross Cooper for introducing me to his music and subjecting himself to my 11 Questions.

Where are you from originally, when did you move to Nashville and why?

I’m from Lubbock, TX originally. I moved to Nashville a little more than five years ago. I moved here because this town is the music mecca. I started finding out more and more about this phenomenal music scene that was happening under the radar. I had a bit of an epiphany when I realized all of the bands I was digging happened to live in East Nashville. It’s a really special time to be here.

by Baby Robot Media

JAMIE MCLEAN BAND NEW ALBUM OUT 2/23 + WINTER TOUR

Jamie McLean Band has been receiving great press in anticipation of its new LP, One and Only, produced by ex-Wilco drummer Ken Coomer (Steve Earle, Emmylou Harris) at Nashville’s legendary Sound Emporium, and featuring contributions from an impressive list of guest artists, from Americana mainstay Sam Bush to reed man extraordinaire Jeff Coffin (Bela Fleck, Dave Matthews Band) and mesmerizing British singer/songwriter Lucie Silvas. No Depression, PopMatters and Glide have all shared singles leading up to the Feb. 23 release.

When Jamie McLean and his band get cooking, signature Gibson Les Paul slung over his shoulder, jangling downhome American rock & roll blaring from the speakers—damn the torpedoes, it’s like 1976 all over again. With the depth and honesty of his songs, and the effortless showmanship of his live performances, you can trace a clean lineage straight back from McLean to the legends whose influence he’s proudly stitched on his sleeve.

“I’ve been working at this long enough now that I know what’s going to be a great song and what feels extra,” McLean says. “Tom Petty had the line, ‘Don’t bore us, get to the chorus.’ That always resonated with me.”

McLean’s new LP, One and Only (out Feb. 23), was brought to life with the help of producer/ex-Wilco drummer Ken Coomer (Steve Earle, Emmylou Harris), and it’s the most assured studio expression yet from the Jamie McLean Band. The album also gets a lift from its impressive collection of guest artists including Americana mainstay Sam Bush, who serves up potent flights of mandolin picking; reed man extraordinaire Jeff Coffin (Bela Fleck, Dave Matthews Band); and mesmerizing British singer-songwriter Lucie Silvas.