Today’s song has a stompin’ bluesy swamp-rock feel, as Prinz Grizzley told Americana UK: “I am pretty sure I wrote this song while I was deep into Howlin’ Wolf and Muddy Waters. It started out as just a delta blues kind of song but after I heard The London Howlin’ Wolf Sessions, I thought why not try and do it like the Rolling Stones did, take a blues song and lean it more into a rock n roll direction. I wanted this to sound like Richards and Jones on guitars with the rhythm section of AC/DC and Prinz Grizzley turning the wolf up in my singing.“
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It’s Psychedelic Baby Mag debuts new song from Flarelight, “Somewhere,” noting Brandsness and Warren’s “virtuosic riffs.”
Cleverly letting each song speak for itself, the band marches through a variety of genres (e.g. synth-rock, hard rock and shoegaze, just to name a few) but are held together through Brandsness and Warren’s virtuosic riffs and fiery back-and-forth vocals. Leading off with single ‘Make Me Sick,’ the album recalls the more driving and melodic Queens of the Stone Age cuts, like if Josh Homme worshiped Robert Smith instead of Iggy Pop.
LUNA Clipse – new video “Joker” (with Jerry Wonda and Tiffani LeBlanc) featured at Roadie Music
Hearing that laugh can be fatal, but there is madness and sanity inside all of us, and sometimes one speaks louder than the other, but strangely, they walk in theatrical sync, some more comical, some more wicked… dictates the rules of the world, it’s madness you let on.
This music video will capture your attention, with its well-structured beat and thought-provoking vocals, so be careful not to lose sight of the danger, as he has fun everywhere, with the same smile plastered on his face.
American Pancake compares Lauren Scott-Phillips’ vocals to Judy Collins and Gillian Welch on new single “Handsome Woman”
Listening to the rustic, acoustic beauty of ‘Handsome Woman’ by Los Angeles singer-songwriter Lauren Scott-Phillips I am struck by the sheer stripped down beauty of it all. Lauren embodies the track with a seemingly natural ability to structure melodies that make you hear things that aren’t there. Yeah, really. I have listened to this song dozen’s of times and when the chorus sweeps in I hear added layers of orchestrations wrap around Lauren’s voice. Lauren’s down to earth elegant folk vocal aesthetic, like a cross generational amalgam of artists like Judy Collins and Gillian Welch, slips easily around you no matter what kind of music you are into.
It’s Psychedelic Baby Magazine interviews Piranha Rama on their new album ‘Omniscient Cloud Cover’
“Sonically, ‘Omniscient Cloud Cover’ runs the gamut from festival-ready indie-pop earworms to big band jazz-tinged psychedelic rock and hazy bedroom-pop, constantly shifting in a way that feels simultaneously meticulous and unpredictable. Though the band plays jump rope with genre-lines, their masterful arrangements and pop finesse keep the songs from ever feeling disjointed. New single ‘Golden Blues’ finds the band at their most danceable, with prog-inspired guitar riffs and steady backbeat drums punctuated by stings of brass and woodwinds as multiple vocalists explore the paradox of isolation in a hyper-connected world.”
Raveis Kole
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“Sonically and thematically, ‘So Nice’ feels free… uplifting… The chorus melody and harmonies soar, lifting the listeners and bringing light into our days. Such delight is both refreshing and welcome in challenging times.” – Americana UK
Raveis Kole – In the Moment (out Apr. 28)
Bellingham, Wash. folk duo Raveis Kole have charted on Billboard, participated in Folk Alliance and AmericanaFest, shared bills with Justin Townes Earle, The Wailers, Cory Henry, and more, and now are gearing up to release their new LP In the Moment (out Apr. 28), an album about being present, not taking life for granted, and making loving connections with yourself, others and our planet.
Laurie Raveis and Dennis Kole met by jamming together at a music festival in Montana a decade ago. So it made perfect sense that the pair, now married and comprising the singing-songwriting duo Raveis Kole, should get back to the simplicity of playing and singing together on their effortlessly engaging new album In the Moment.
Playing everything on the album themselves, the duo worked with producer Matt Smith in Austin to add texture through instrumental experimentation—embellishing their songs with banjo, ukulele, lap steel, harp guitar, cavaquinho, tambourine, shakers and foot drums. They whistle and mimic horns with their voices to up the colorful ante.
“It’s exciting for the two of us to create this full sound,” Raveis explains. “It’s a challenge to be able to do all these things, to bring in different colors, textures and harmonies to create the right vibe for the lyrics and still be locked in.”
Penning pandemic-inspired tunes started to lose its luster for Raveis Kole. “The times are what they are,” says Kole, “but we didn’t want to focus on feelings of loss and isolation; and we wanted to go back to celebrating other people, instead of looking at them as potential disease vectors,” Kole jokes. “Let’s celebrate the importance of other people in our lives, that feeling of being connected to something bigger than yourself.”
The pair decided to create the rhythmic pulse with their acoustic guitars instead of with traditional bass and drums. “The thought was let’s make it more vulnerable, more intimate, less about big production,” Kole says. “Let’s make it about us two. What would it sound like if you came to see us at a concert or event? Sort of the stripped-down version of things. This album, as a whole, is our most authentic, unfiltered, intimate work to date. We are out there exposed. We aren’t relying on session musicians to come out there and give us protection.”
Raveis Kole also kept things lively on In the Moment, their second full-length LP, by changing up styles and moods from song to song. There’s a light-hearted feel to songs like “Sticky and Sweet,” which harkens back to acts like The Roches with its whimsical lyrics juxtaposed against earnest music, and “Kismet,” which might be the funniest duet to celebrate marriage since John Prine & Iris DeMent’s “In Spite Of Ourselves.”
Raveis Kole can turn on a dime from cute jokes to moments of breathtaking beauty. “So Nice,” with its soaring melody and gorgeous harmonies, was inspired by a performance the duo did shortly after the pandemic shutdown ended and the gratitude they received from that crowd.
“I couldn’t help but reflect on the simplicities of life unfolding,” Raveis says, “that sense of expanded joy because people hadn’t been able to participate fully in life and were almost glowing with excitement to be out, to be together, enjoying live music.”
Their scenic hometown of Bellingham, Washington seeped into the songs as well. “Everything here is on a grander level and it’s quite stunning,” Raveis says. “The connection with nature helps ground you and helps you appreciate the present moment, which does flow through many of our songs. That theme of loving connection, of being present and willing to pause and think openly by paying attention, opens up a potpourri of inspirations and seeds the feelings of being a part of something greater than yourself, something shared and universal.”
If you listen to Raveis Kole long enough, you might start to feel your own kinship with both nature and other human beings intensified, which is the goal. “While it’s fun to see your name on a Billboard chart, at the end of the day, it’s there and it’s gone and just a nice memory,” Kole says. “What really satisfies me, and the whole reason I got into music in the first place, is that it helps me feel connected to other people. I love music. Music satisfies my desire to be creative and stimulated and challenged, and also gives me the chance to meet other people. Evidence of that was I met Laurie and we connected.”
When the key-changing, boisterous sing-along “Wherever You Go” fades out at the end of In the Moment, don’t be surprised if you feel like you’ve heard something truly unique that stands out in a musical landscape full of derivatives. Kole sums it up best: “We try to be the best version of ourselves and not the second-best version of somebody else.”