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Vinyl Mag interviews Sara Rachele about her new song “Try Again”

Sara Rachele’s single, ‘Try Again” is a stripped-down, heartbreakingly beautiful ballad that highlights the gorgeous purity of the young singer’s voice. Part of her forthcoming single, “Sweet Man of Mine,” out Oct. 23, the song features soft instrumentation on the acoustic guitar and layered vocals, with the main focus on the honest, unadorned lyrics and unique gritty quality of the track.

An artist who got her start working for free, cleaning out cupboards at famed acoustic hotspot, Eddie’s Attic, Rachele gained experience as a backup vocalist and keyboard player for The Love Willows. When she left the group behind, she moved to New York City and began to fill her journals with ballad after ballad and fill the coffeehouses and nightclubs of the East Village with her sweet, unique sound. Since the release of her 2014 LP, Diamond Street, Rachele has released a steady stream of singles—including “Try Again.” The singer’s folk-centric upbringing and rock & roll adventures of the city combine to form a sound that is bold, honest and uncompromisingly creative.

Vinyl Mag chatted with Rachele about her inspiration for the exclusive single, ‘Try Again,” and her plans for the future: LISTEN HERE…

by Baby Robot Media

Culture Collide debuts Sara Rachele’s new single “Sweet Man of Mine”

Sara Rachele (pronounced ra-kelly) will transport you back to a purer time in pop rock; she has a voice you might’ve stumbled upon with a radio dial in the ‘90s: sweet but edgy, you can picture it softly crackling through your speakers while you’re driving down a New England highway in winter. Stripped to drums, vocals and guitar, Rachele’s sound formed through a series of encounters with various music scenes: first she worked at the trendy Eddie’s Attic in Atlanta and began playing as a side musician in a number of bands before becoming a back-up vocalist for The Love Willows. Next she relocated to Boston to attend Berklee College of Music for a time, landing eventually in New York City where she wrote most of her current material. A follow up to her debut album Diamond Street, her new single “Sweet Man of Mine” will be officially released this Friday (October 23). Here’s what Rachele says about recording track:

This song is a little call to love, when you’re dying for another’s attention. We recorded it at the same Atlanta studio in Little Five Points where I did my debut LP, Diamond Street. This time there was less pressure — it was just, “let’s make this song how we want it.” So we messed around and laughed and did some clap tracks. LISTEN HERE…

by Baby Robot Media

Adobe and Teardrops review Quaildogs new album, The Getting Old Factory

The Quaildogs bring something special to the table, that’s for sure. They seamlessly blend the gently earnest tone and harmonies of today’s hipster folk with the casual, back-handed irony of ’90s alt-rock. The end result is deliciously sharp. The Getting Old Factory begins with a hopeful chord, those trendy tambourines, and firmly puts us in our place:

I cook my food in a microwave
Think about all the time I saved
Haven’t left my apartment in days
But something tells me that the world still looks the same

The lyrics might seem more at home with distorted guitars and a shot glass, but the Quaildogs’ irrepressible determination to be unhappy makes it work. Somehow, the Quaildogs avoid irony. They capture the impatience of the early 20s (“Oh, shit — is this all there is? For the rest of my life? For real?”) with a resigned fatalism. Unlike their ’90s counterparts (and perhaps a little too in line with us millenials), they accept the drudgery of early adulthood without a fight. But The Getting Old Factory is more affirming than it is a downer. Maybe it’s because the lyrics are just so damn smart. With most of the songs clocking in at above 4 minutes, the album is one of those rare instances were rock’n’roll is elevated to something that is — dare I say — beautiful, intentional, and artistic. The Getting Old Factory is one of the best albums I’ve come across this year. READ HERE…

by Baby Robot Media

PopMatters premieres Koncept & J57’s new video for their lead single, “Porcelain” featuring Hollis,

If you have big aspirations, you might as well sound the part. Queens-raised MC Koncept and Long Island producer/rapper J57 have collaborated on a new EP titled The Fuel that pulls out all the stops in an attempt to bridge underground hip hop and mainstream fare. The end result is edgy and brutally honest, but at the same time underscored with gigantic beats and arrangements that waste no time getting into your head. “Porcelain” is a great example, with its infectious chorus sung by Hollis, who is best known for her work on Macklemore’s and Ryan Lewis’s 2013 smash “White Walls”. You can watch the new video for the track below.

“You need to care about what and who you love,” Koncept says about the song. Life is fragile. Relationships can be fragile. Your career can be fragile. You need to work hard for what you want, for what you believe in, and put effort into building it and keeping it strong.” LISTEN HERE…

by Baby Robot Media

Paste Magazine premieres Ian Fisher’s new video for “Constant Vacation”

The latest single from Missouri-raised, Berlin-based singer/songwriter Ian Fisher, “Constant Vacation” is a spare, gorgeously ambling indie-folk ballad with an instantly memorable guitar-and-piano hook, enticing bait for Fisher’s lilting vocals and thoughtful lyricism. The sighing, pastoral tale of heartbreak is delivered as a boozy toast to life’s tumultuous wheel of fortune, along the way evoking simple, daydreamy watercolor images of the past that give way to a deep longing for new beginnings. The latter in particular is captured by the song’s freewheeling, home-movie style roadtrip video. READ MORE…

by Baby Robot Media

Aaron Lee Tasjan featured on the new Country Fried Rock podcast

Aaron Lee Tasjan writes folk songs for an indie rock crowd, weaving storylines with humor and social commentary. His debut full-length album, In The Blazes, includes friends from his former band, Everest, at the helm, and the vibe of Elliott Smith’s studio, New Monkey. Tasjan is touring heavily in support of the album, opening for Ray Wylie Hubbard, and playing solo and band gigs across the country. NOTE: We previously featured ALT here, following his debut EP. LISTEN HERE…