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Verbicide Magazine digs Pillage & Plunder’s “unique mix of indie, prog, and jazz-punk”

Atlanta-based Pillage & Plunder are self-proclaimed “art rockers” who play a unique mix of indie, prog, and jazz-punk. The trio will release their debut full-length The Show Must Go Wrong on August 5, 2014. They previously released their debut single in 2009, and their first EP, Look Inside for the Prize, in 2011. In 2013, they dropped Goodnight Jack, an acoustic EP.

Below, you can stream the premiere of their track “How Did It Come to This?” They are preparing for a big late-summer tour to coincide with the album release. LISTEN HERE…

by Baby Robot Media

The House Harkonnen talks about being metal in Texas on Dallas’ KETR show Notably Texan

Riding rock n’ roll like a “Sandworm,” Arlington’s The House Harkonnen turn the notion of traditional Texas music on its head.

Taking their name from a faction in Frank Herbert’s fictional “Dune” universe, The House Harkonnen embodies elements from punk to classic rock, and reconstitutes them into a gritty rocking sound of their own. Vocalist Alex Johnson recently took some time to check in with Notably Texan, on the verge of their appearance in Dallas on Friday. LISTEN HERE…

by Baby Robot Media

MAGNET Magazine’s MP3 @ 3PM premieres “Beetlejuice,” the opening track off of Pillage & Plunder’s upcoming album The Show Must Go Wrong (out Aug 5)

The Atlanta-based and self-proclaimed art rockers in Pillage & Plunder play a mix of indie/prog and jazz/punk. The threesome plans to release debut LP The Show Must Go Wrong, in August. Download jazzy album track “Beetlejuice” below. We are proud to premiere today on magnetmagazine.com. LISTEN HERE…

Blackfoot Gypsies

To set up an interview with Blackfoot Gypsies, or get your hands on press passes, advance music, hi-res photos, album art or videos, contact stevelabate@babyrobotmedia.com

“A juggernaut of vicious guitar riffs and pounding rhythms.” – Examiner.com

“Fine music packaged in retro-sexy feathers, hair, hats, animal skins, beads, fringe. … Blackfoot Gypsies construct songs that make you want to both ponder their relatable lyrics and shake your ass until your cheeks are numb.” – No Country for New Nashville

“Meaty, swaggering and devoid of irony.” – Nashville Scene

“Making Keith Richards’ riffs sound clean by comparison.” – Creative Loafing

“Future rock & roll icons.” – Soundstamp

“May cause rowdiness and an urge to drink Jack & waters until your lights go out.” – The Angry Grad

“A high haired mix of sixties garage band sounds and caustic ’70s rocker blues through a psychedelic filter.” – Star News Online

“The bombast of reckless experimentation with unmarked pharmacy bottles from grandma’s medicine cabinet, tempered with a sturdy appreciation for the bluesier side of late, late sixties rock ’n’ roll.” – The Downcast

“Those outlaw gypsies horsewhipped us all the way to the Deep South–harmonicas blazing. War paint melts when your face gets rocked up. By the end of the show, something always gets busted or broken. Blood and tufts of fur.” – No Country for New Nashville

Bio

Nashville’s Blackfoot Gypsies are a rock ’n’ roll band—straight up, no modifiers necessary. With four years, four releases, and countless miles under their belt as a two-piece guitar & drums powerhouse, Zack Murphy and Matthew Paige have recently added fellow brethren Dylan Whitlow (bass) and Ollie Dogg (harmonica), bolstering their passionate, careening, undeniably American sound. Seeing the band live is like watching someone cling to a firehose at full blast or dig their heels in atop a thrashing mechanical bull… holding on for dear life, slowly guiding and reacting to forces at the brink of their control, somehow coming up aces in the end.

Blackfoot Gypsies have shared bills with everyone from the Alabama Shakes and Trampled by Turtles to Futurebirds, The Ettes and The Carolina Chocolate Drops. Their second full-length LP, Handle It (coming fall 2014), is the band’s debut as a full-throttle four piece. Drawing inspiration from the downhome roots of the Delta blues and the foreboding ghosts of country music’s past, Murphy, Paige & Co. go to the same well as Zeppelin, the Stones & The Faces, coming up with bucketful of angsty rock ‘n’ roll that’ll jolt your flatlined heart back into perfect rhythm.

Rock is dead? The Blackfoot Gypsies call bullshit. They’re living proof it’s alive and well.

Links

Facebook / Twitter / Bandcamp / YouTube / Reverbnation

by Baby Robot Media

Lily and the Tigers anchor this year’s Creative Loafing Music Issue

Casey Hood recalls with remarkable clarity the moment she was struck with the words and melodies for the song “The Hand You Deal Yourself,” the title track from Lily and the Tigers’ third and most recent album. As the singer, guitarist, and principal songwriter behind the group’s haunting soul-folk numbers, Hood is one of those rare musicians blessed with the gift of spontaneous music. Songs come to her as though they are being handed down from a higher power. It usually happens while she’s in motion, and it happens without warning. READ HERE…

by Baby Robot Media

Punktastic premiere’s Pillage & Plunder’s new single “The Last Date,” calling it “infectious.”

Atlanta’s Pillage & Plunder draw influence from punk and funk to create a bouncy, lyrically honest yet upbeat sound. Undoubtedly appealing to ska and punk fans alike, the infectious tones of ‘The Last Date’, taken from their forthcoming debut full-length ‘The Show Must Go Wrong’, move from steady minimalist songwriting to a catchy punk experience. By layering the sounds, the three piece sound much bigger than might first be expected. LISTEN HERE…