Silver People—the musical alter ego of Jake Reeves—is preparing to release his debut LP, ‘Gnome Country’, a ten-track predominantly-instrumental collection of fantasy & sci-fi inspired psych-rock tracks that draw influences from Syd Barrett-era Pink Floyd, Nick Drake, and J.R.R. Tolkien in equal measure. READ MORE…
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Roughstock debuts “Rearview” by Kurt Deemer, noting that he is “one such artist that blends roots with the rock side of Americana, into an ear-pleasing bend.”
Kurt Deemer is one such artist that blends the roots of Americana with the rock side of Americana into an ear-pleasing blend. It’s music which delivers meaningful lyrics amidst earworm worthy melodies. We’re proud to have partnered with Kurt for the premiere of “Rearview” a track from the upcoming Reclaim The Night, due out Friday, May 6. We hope you enjoy the song as much as we do!
Glide Magazine debuts the latest single from Shawn Williams – “Don’t Go” – calling it “aching twangy southern soul that is more often mimicked than authenticated.”
Glide is premiering the twangy “Don’t Go,” a sly and soulful winner that swoons with achingly beautiful harmonies. While Williams certainly can flaunt her punk muscles, “Don’t Go,” proves she can go righteous without sacrificing heartache and soul.
It’s Psychedelic Baby Magazine debuts the lead single – “Too Much” – from Boris Pelekh’s debut solo EP, I See It Now, calling it “gentle indie-folk meditations with psychedelic undertones, soul-baring vocals and intimate incantations of love restored.”
A seasoned veteran of the New York music scene and ace guitarist for Gogol Bordello, Pelekh has toured around the world, sharing stages with iconic artists spanning from Aretha Franklin to Philip Glass to Wu-Tang Clan, a clear breadth of connections indicative of his life’s work.
York Calling features James Kahn’s “The Risin’ of the Sea,” the title track off of his latest album, writing that “vocal harmonies are the real star of the show here”
Sea shanties had a bit of a resurgence last year (which was a nice surprise!), so it’s great to hear artists like James Kahn utilizing them within their music. The Risin’ Of The Sea is the title of this track, with the lyrics having a link to the current refugee crisis, making it rather topical in nature. READ MORE…
Steven Denmark
Steven Denmark – “Only Home I Need” b/w “Crazy Over You”
Steven Denmark doesn’t get much rest these days. Between his day—and night—job as a cattle rancher in Northern California, his life as a husband and father of three, and his career as a brilliant roots/Americana singer-songwriter, Denmark simply doesn’t have much down time. It’s fitting, then, that Denmark’s new singles, “Only Home I Need” and “Crazy Over You” were created in less than five hours from start to finish. “It was the fastest process ever,” says Denmark. “I think if you sit on a song for too long or keep reworking it, you can change it over and over into something else. I really like the idea that a song is just a snapshot of that moment, a photograph of who was in the room and what we were feeling that day.”
Despite his busy home life, Denmark has steadily been building up his reputation in the Americana world since he embarked on his solo career in 2016. In that time he has released an LP, 2017’s Cold Wind, as well as 2021’s Babylon EP, produced by Beau Bedford (Delta Spirit, Ruby Boots, The Texas Gentlemen), and a handful of other singles. His authentic-yet-original style of rootsy Americana has enraptured audiences and allowed Denmark to share bills with numerous acts including Lynyrd Skynyrd, Nikki Lane, Sam Outlaw, Susto, Kody West and many more. Now, Denmark is set to embark on a new chapter of his career as he prepares his sophomore LP, and “Only Home I Need” and “Crazy Over You” serve as the epilogue to the first phase of his solo arc. “These are two songs that I felt didn’t really fit with the new album that I’m working on, but I really like them and wanted them to have their own place,” says Denmark. “I’ve been really figuring out who I am as an artist, and these are the last of the songs where I was just experimenting with different genres and styles to see how they felt.”
Denmark recorded these new tracks at Tiny Tape Room in Nashville alongside engineer Kyle Monroe before teaming up with Grammy Award winning mixing engineer Brandon Bell (Alan Jackson, The Highwomen, Zac Brown Band) and mastering engineer Sam Moses (Sadler Vaden, Billy Ray Cyrus) to put the finishing touches on each single. Though Denmark wrote, sang, and played guitars, keys, and bass on each track, additional contributions were made by Steven Christopher Lucas (lead guitar), Bryson Nelson (drums), Sam Wilson (pedal steel), and Lynn Marie (vocals on “Only Home I Need”).
“Only Home I Need” opens with brief atmospheric keys before Denmark’s emotive vocals propel the track forward, ushering in layers of sparse guitars, quietly thumping percussion, and reverb-washed pedal steel as Denmark chronicles the lifespan of a romantic relationship from its wanderlust-fueled beginnings to the unavoidable reality of mortality. “My wife and I have been married for nine years, so she’s been dragged along on this dream of making music my whole life, and with that comes some ups and downs,” says Denmark. “But for us, that journey of living out our lives together is all that has mattered to us. We’re going to live our lives day-to-day and whatever comes our way will happen and we’ll be in it together and be thankful for it.”
Meanwhile, “Crazy Over You” finds Denmark picking up the pace, channeling shades of his background in punk music into an upbeat, fuzzed-out roots-rock track that came to life in roughly the length of the song itself. “I feel like the songs that I write, or at least the good ones, are the ones that come to me quickly,” says Denmark. “Lyrically, I always liked the idea of leaving things to the imagination, but I think I did it too much. With these songs, I deliberately sat down and tried to write in a way that was more immediate, I wanted to push myself out of my comfort zone a little and try writing songs that were a little more straight forward.”
If immediacy is a staple in Denmark’s music, it acts as a counterbalance to his zen-like approach to his career and long-term goals. “I once heard somebody say that becoming successful—or whatever your version of ‘making it’ is—for that to happen, is a complete miracle, and all you can do is make yourself available for that miracle every day. So if I’m doing everything I can to make myself available for that miracle, I’ve done the best I can do.”