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American Songwriter interviews Matthew Check about his new record – Without a Throne – noting, “Check’s book of songs is getting more revelatory as time goes on.”

A deep reflection on how the Brooklyn, New York-based singer and songwriter reached sobriety, “Old Wooden Floor” is a frank outpouring of the despair and survival of that moment in time, and one of the shared stories and narratives from Check’s own life that plays out on his second album, Without a Throne.

Check’s book of songs is getting more revelatory as time goes on. Scanning personal and peripheral stories and even the biblical with the old testament tale of King David’s son in “What a Father Would Do (Absalom),” Without a Throne cracks open a time capsule of long-forgotten songs in waiting, some for decades.

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by Baby Robot Media

The Grateful Web debuts Diane Hubka & The Sun Canyon Band’s single “Baton Rouge”

“Los Angeles folk & roots outfit Diane Hubka & The Sun Canyon Band releases new single “Baton Rouge,” out today. Hubka’s charming vocals lure you into dancing along to this feel-good Guy Clark cover. It’s like a sunny walk through a swampy town in this song about picking up your life and starting somewhere new. Something we can all relate to in this post-covid world. New Orleans-born drummer Lynn Coulter (Leon Russell, Carole King, Rita Coolidge) takes zydeco and african beats and melds them with legendary guitarist Albert Lee’s (Emmylou Harris, Eric Clapton, The Everly Brothers) one-of-a-kind guitar sounds.”

Indie Music Center reviews Red Rum Club’s new song “The River”

Red Rum Club in front of the Hollywood sign in Los Angeles photo by Jordan Daniel Logan — **Red Rum Club – photo by Jordan Daniel Logan.**

“From the first listening, “River” invites us to swim at sunset, and to drink until the middle of the night. Sharing good times with friends is definitely something that should never go away! Even if algorithms try to dictate your life, stay focused on what matters most: real life. And this song is exactly what makes it possible to put the feet on the ground and to disconnect if only for a moment.

Super festive, the song is probably one of the catchiest we’ve heard this year. If it doesn’t make you want to throw down your chair, get up, and dance, then we don’t understand anything.”

by Baby Robot Media

Americana Highways reviews Moon Shine’s debut LP, The Land in Between, noting, “The music, spiced with horns and Moon Shine’s smooth voice keeps the narrative flowing… great storytelling.”

The work of Brooklyn-based artist Moon Shine reflects the varied background of its creator, Angie Glasscock. Memphis soul, Nashville country and LA polish are combined on Moon Shine’s debut album, The Land in Between, named after Glasscock’s familial itinerance and the search for a home of her own.

Glasscock’s origin story is explored in the album’s title cut. “The Land in Between” kicks off with a stirring Wurlitzer line and the beginning of the singer’s travels – “I was born in Memphis/But didn’t stay long.” After moving to California, Mom and Dad split up, Dad moved to Tennessee, and a long childhood of constant travel (perhaps presaging her life as a musician) began – “Back and forth/We’re traveling/Between two extremes.” The music, spiced with horns and Glasscock’s smooth voice, keeps the narrative flowing.

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by Baby Robot Media

Seven Days reviews Maple Run Band’s sophomore LP, Used to Be the Next Big Thing, calling it “a timeless Americana record.”

Used to Be the Next Big Thing is a timeless Americana record. Maple Run Band continue to establish themselves as “one of the 802’s foremost practitioners of the genre,” as Justin Boland called them in his 2020 Seven Days review of their debut LP. These tunes will be playing in the Green Mountains and beyond for many years to come.

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by Baby Robot Media

Check out Americana UK’s Short Cuts feature with Maple Run Band’s new album, Used to Be the Next Big Thing, sitting at the top of the list…

Recorded in Vermont, Maple Run Band’s ‘Used To Be The Next Big Thing’ is described by their songwriter Trevor Crist as reaching for a mid seventies soft rock album with a retro-vintage country sound. And by and large the band have been quite successful in their quest. There’s a hint of the Allman’s circa ‘Brothers And Sisters’ in the opening song ‘Used To Be The Next Big Thing’ while ‘Loretta‘ would sit comfortably on any number of singer/songwriter albums of the period albeit that it harks back to an earlier age with Crist explaining that the Louvin Brothers were an inspiration here.

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