Baby Robot Media

Search Results for: Движение вверх - Движение вверх - смотреть онлайн smotretonlaynfilmyiserialy.ru

by

No Country For New Nashville features Aaron Lee Tasjan’s “Judee Was A Punk”

ALT

Big news for fans of East Nashvillian alt-Americana songwriter Aaron Lee Tasjan; his new record, In The Blazes, is out today! So, in its honor, we are premiering another great track (see this post too) entitled “Judee Was A Punk.” The new album was recorded with Delta Spirit producer Eli Thomson, Dan Bailey (Father John Misty’s drummer), and solo artist/multi-instrumentalist David Vandervelde … plus Aaron is no slouch either, cutting his teeth as a touring guitarist for the New York Dolls, Drivin N Cryin, and Alberta Cross. READ MORE…

by

Chicago Reader premieres 8 Inch Betsy’s latest single “Night”

8inch

Local queercore group 8 Inch Betsy will release its album The Mean Dayson November 13, nearly ten months after front woman Meghan Galbraith died at the age of 35. Galbraith unabashedly drew from her personal experiences when writing lyrics for the three-piece, and I’d assume that the The Mean Days will offer a final look at fragments of her life. READ MORE…

by

No Depression hosts exclusive stream of Aaron Lee Tasjan’s new album In The Blazes

ALT

Singer-songwriters tend to emulate their heroes. Some rearrange covers and add their own flare to a song, others shoot for a duet or a compilation record, but not Nashville’s Aaron Lee Tasjan. Tasjan opted to indulge in copious amounts of THC a’la his role model Guy Clark, after hearing of Clark burning down more than a few before penning what turned out to be some of his best numbers. READ MORE…

by

Afropunk debuts Sye Elaine Spence’s unique new animated video for “1964”

sye

Today we’re premiering the animated new visual from folk singer-songwriter Sye Elaine Spence – ‘1964‘ (a collaboration with Brooklyn-based production company, dreambear, and experimental painter/filmmaker, Jeff Scher). In regards to the track, Spence (who is based in Atlanta) tells us: “The song was made as an ode, of sorts, to my grandmother, Elaine. She was like a warm blanket to me in childhood. The lullaby-like feel of the guitar throughout the song is intentionally reminiscent of that. Her stories of her youth, first love, first heartbreak, always fed my innate draw toward nostalgia. The lyrics are me simply my imaginings of what conversations used to be like during her time. Sweet, simple, delicate.” READ MORE…