Based in Los Angeles, but with a sound more akin to gritty East Coast city punk and emo, the trio ALL BITE are releasing their debut album, Get Well Soon, on December 3rd. READ MORE…
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buzzbands.la debuts the latest single from Manuel the Band, “Hell Yeah Everyday,” calling it “salt-of-the-earth rock ‘n’ roll.”
Manuel the Band makes salt-of-the-earth rock ’n’ roll, and since the earth in its native Southern California is a pretty diverse place, the sextet’s music is a melting pot of folk, blues and pop. The finished product is kinetic classic rock (think Kings of Leon or My Morning Jacket) that reflects the irrepressible spirit of the band’s founder, singer-guitarist Manuel Grajeda.
Glide Magazine premieres Jim Keaveny’s new single “Sunrise”
Some voices just somehow slip the cracks, which is criminal. Take Jim Keaveny, who weaves a tapestry of southwest flavored melodies across a vocal presentation that wreaks a mix of Tom Waits, Todd Snider, Greg Brown, and old world novel characters. READ MORE…
Under The Radar Mag premieres ALL BITE’s newest single “Tear Myself Apart” ahead of this Friday’s album release
Later this week, L.A. punk trio ALL BITE are sharing their debut record, Get Well Soon. Guitarist Jeremy Coppola, bassist Emily Tomasi, and drummer Noah Shearer split vocal duties on the record, offering up a propulsive blast of punk catharsis. READ MORE…
Americana UK reviews Kiely Connell’s new LP, Calumet Queen
On the cover of Kiely Connell’s debut album “Calumet Queen” is a drawing of her wearing a beauty queen tiara with the spikes forming the outline of the Chicago skyline and the rushing Calumet River behind her, charitably colored green. READ MORE…
B.Knox demonstrates “expert songcraft” on new LP, Far From Folk, sharing details and new single “Seasons” at Exclaim! Magazine
Far from Folk sees the singer-songwriter taking his folk foundation and reaching outwards, incorporating organ, swooning strings and electric guitar. Aaron Goldstein — B.Knox’s collaborator — multitasks, operating as the album’s producer and the pedal steel player. Yet, despite its experimentation and genre-bending, the forthcoming record remains grounded in Hunnakko’s expert songcraft.