Richmond, Virginia’s Piranha Rama are preparing to release their third LP, ‘Omniscient Cloud Cover’, on September 30th via Brokers Tip Records, run by Pavement’s Bob Nastanovich. Following the release, the twelve-piece collective will be heading out on tour, including three shows opening for Pavement this October in Atlanta, GA and Austin, TX. READ MORE…
Chris Spino, who records and performs as Coma Girls, loves a well-crafted pop song. He’s played everything from doo-wop to jazz fusion and metal. However, “the thing that’s always stayed really central with me is good songwriting,” he says. READ MORE…
Drenched in summery melodies and images of coastlines stretched wide across the horizon, “Golden Girl” is a scruffy, laidback indie-pop miracle. It’s the kind of song that can soundtrack any mood and comes pouring out of your car stereo just when you need it the most. The guitar shivers and shakes before blossoming into a shimmering pool of liquid sunlight. There’s just enough fuzz to keep it grounded without losing focus. Roll down your windows and let the day wash over you as Midtune offers this gem of late summer radiance.
Late Cambrian is the artistic partnership of John Wlaysewski and Olive Hui, but they are also a romantic couple. Perhaps that level of closeness allows them to freely invade each other’s space when it comes to making dreamy, hella catchy pop songs, such as their new single “It’s Always Something.” READ MORE…
Today is a great day to share the latest single from indie rock and funk band, Baby Baby, called “Next To Me.” In this enchanting song, Baby Baby bring forth the best elements in their sound in a pop-pleasing song. The track comes from their forthcoming full-length record U Good?, out everywhere music is sold on September 16th. READ MORE…
Matthew Check’s attraction to the rootsy, honest pop/folk/introspective rock of the mid-late ‘70s takes hold on his forthcoming record, Without a Throne (out 9/30). The resulting hybrid of that sound—with his authentic vocals, somewhere between Jakob Dylan and the Waterboys’ Mike Scott—dominates and energizes the album’s approach.