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Ditty TV debuts David Quinn’s NEW video for “Born to Lose,” whose “bluesy swagger makes the lyrics sound even more haunted.”

Indiana-based David Quinn is gearing up to release his sophomore LP, Letting Go (out Oct. 23). Most of the songs on his second solo album came to him during a ramble around the Midwestern countryside. The barnstorming “Thunderbird Wine” and woe-is-me “I Hope I Don’t” integrate a wide range of influences—from Texas outlaws to Bakersfield badasses, from Southern rock heroes to Nashville cats. Wherever he rambles, however, Quinn remains rooted in Midwestern soil, “It always comes back to John Prine,” he says. “I got started in the Midwest, so he’s somebody I love.”

by Baby Robot Media

Radiator King’s Adam Silvestri talks cigars and music on the The Straight Cut podcast

Radiator King’s Adam Silvestri was featured on the The Straight Cut podcast where they talked about SST Records, creating your own rules, and his new album Unborn Ghosts.

At the core of Unborn Ghosts’ evolutionary sound is a breakthrough in Silvestri’s writing process as well as a new sonic approach that seamlessly fuses the disparate styles he once compartmentalized. Following the release of Radiator King’s last full-length, 2017’s A Hollow Triumph After All, Silvestri began experimenting with new sounds and new ways of writing. Instead of working from home, starting with chords and melodies to which he’d later write lyrics, he would spend hours reading, researching and freewriting at the Brooklyn Public Library branch near his place in Bedstuy.

“When you’re on tour, you collect so many recommendations from the people you meet—Moby Dick, Kierkegaard’s Fear & Trembling,” Silvestri says. “As a songwriter, you’re an investigator, and you’re trying to figure out any sort of clue that’s gonna lead you in some new direction. So I would read all these books and just free write—turn off my intellect, get logic out of the way, let my subconscious flow and just see where it went. And then the next day, I’d revisit what I’d written and start to collect lines that stood out. Eventually, I’d notice little threads developing, parts that fit together, and maybe by the end of the week I’d have a new song. I like to think the song is already out there somewhere, you just have to uncover it like an archaeologist. You’re digging and, all of a sudden, there it is. You have to have faith in that process. If you don’t, you’ll never have the patience to stumble on what you’re trying to say.”

Musically, new tracks like “Gamefighter,” “Raylene” and “Haunts Me Now” began to synthesize Radiator King’s varying sounds into a cohesive whole. “I used to have my heavy songs, my ballads and my folk songs,” Silvestri says. “‘Raylene’ was the first one where I started to depart from that and combine different structures and sounds within the same song. It really laid the foundation for the new record.”

Check out Adam Silvestri on The Straight Cut podcast.

by Baby Robot Media

With new single “Jim’s Dad,” Stuffy Shmitt ponders the death of a flawed family member

Stuffy Shmitt has released new single “Jim’s Dad” from his forthcoming LP, Stuff Happens, out Dec. 4.

Stuffy is a veteran NYC rock & roller who’s performed and recorded with everyone from Violent Femmes’ Gordon Gano and David Johansen of the New York Dolls to The Band’s Levon Helm. From 2000 to 2012, he put out a half-dozen mostly under-the-radar solo records. Then about eight years ago he went off the rails, consumed by bipolar disorder. Finally, he got himself properly medicated, moved to Nashville and was able to sort out everything he’d created during his bouts of depression & mania. The resulting album, Stuff Happens, is his finest yet.

“Jim’s Dad” is a hypnotic tune anchored by Shmitt’s deep baritone. The song considers what happens when a flawed family member dies unexpectedly. “Jim’s Dad was a scout leader / Was a wife-beater,” Shmitt sings unceremoniously. There’s no sanitizing or smoothing over here—just the plain truth narrated from a refreshingly detached remove.

Stream the song here…

by Baby Robot Media

Ghost Cult Magazine premieres the new single from This Way To The EGRESS

Eclectic and amazing genre smashers This Way To the Egress have already announced their new album, their sixth, Retrospectiva! on Halloween 2020. The band has teamed up with Ghost Cult today to share their new single “Gravedigger”, lovely bop and mediation on the apocalyptic end-times vibe of 2020, or really the last few years in the world. READ MORE…

by Baby Robot Media

Americana UK announces new debut studio LP from Kentucky’s Josh Merritt, debuts lead single “The High”

“The High” is an honest song that comes from having lived through the reality. Josh Merritt’s childhood was scarred by his mother’s and stepfather’s methamphetamine addiction. Not only as users—they fell into manufacturing and distribution.

After several bleak years, Merritt and his brothers were taken away to be raised by their grandparents on a farm in the unincorporated community of Reynolds Station. So when Josh Merritt sings, “Hang the phone up on your closest of kin / Don’t give three damns if you see them again,” he knows what he’s talking about.

David Quinn is #2 on The Alternate Root’s TOP TEN SONGS OF THE WEEK

Singing in an attempt to understand a chaotic world, the snarling vocals of Suzanne Santo duet with the spit and fire guitar work of Gary Clark Jr on the single “Fall for That” in the #1 spot on the weekly Top Ten for Wednesday, September 23, 2020. Using Margo Price’s backing band, David Quinn offers “Born to Lose”, an advance listen to his upcoming (10-23-20) Letting Go, featuring Brett Resnick (Kacey Musgraves) on pedal steel and Laur Joamets (Sturgill Simpson, Drivin N Cryin) on guitar.