Search Results for: Какой антоним к слову любовь больше в insta---batmanapollo

Routes & Branches Premieres Great Peacock

Sometimes the better a band gets the more direct their music becomes. With increased confidence, there is less pressure to earn one’s stripes by dancing around a musical point. While Gran Pavo Real (Ropeadope, Mar 30) is only Great Peacock‘s second full-length, the collection reveals an evolution and a sure-footedness to the songs of Andrew Nelson and Blount Floyd.

2015’s Making Ghosts was one of my favorite records for that year. Songs like “Broken Hearted Fool” and the title track struck a perfect chord, working with an americana sound that was decidedly Southern and richly melodic. Those qualities are most readily on display with new tracks like “Hideaway” and “One Way Ticket”. The former features both some great guitar and a bit of classic organ thrown in for great measure. “Ticket” offers a quieter ride, built on a fine vocal and a memorable chorus: I’m a rolling stone / Yeah, I can’t sit still / I’m a one-way ticket, headed straight down hill / I’m a back row Baptist with stories to tell / Got a one-way ticket to keep me out of hell. This is classic Southern americana, very well played and as praiseworthy as anything else that’s been released this year.

Even while striking these familiar notes, Gran Pavo Real finds the Nashville quartet embracing more of the region’s blues and gospel influence. “Heartbreak Comin’ Down” is a piano-driven blues number, with a blazing Blount Floyd guitar solo. “Rattlesnake” adds a rocking swagger, punctuated by bursts of guitar and a soaring chorus. Both “Take Me Down” and “Oh Deep Water” are darker, gospel tinged tracks.

by Baby Robot Media

No Depression Premieres Leslie Tom’s “Are You Ready for Some Hanky Panky?”

A ten-track reflection of Leslie Tom’s own journey intertwined with Hank Williams-inspired tales of addiction, love, heartache, and loss, can be found on the songstress’ new album, Ain’t It Something, Hank Williams, due March 23rd.

Recorded at Nashville’s Cinderella Sound Studios, produced by John Macy (Los Lobos, Nitty Gritty Dirt Band) and featuring all-star players like Lloyd Green (pedal steel), Andy Hall (dobro on the somber “Angel of Death”), Walter Hartman (drums), Joe Reed (bass), and more, the record contains a healthy mix of Hank covers and Hank-inspired originals, some, such as “Are You Ready for Some Hanky Panky?” even stemming from seemingly ordinary conversation.

Tom relays the story behind the song, “Contrary to the song title, it’s NOT about sex. This is a tongue and cheek song about the life of Hank Williams that I’m very, very proud to have written with Dean Miller. The song idea came from my husband, who is amazing in a million ways but god-bless-him, does not have a creative bone in his body. While at a CD release party for a fellow Denver honky tonker, I casually mentioned to my girlfriend I needed to come up with a catchy phrase to put on a t-shirt and would love for the phrase to be about Hank Williams. Without skipping a beat, my husband turned, looked me dead in the eye and said, “Why don’t you get a shirt that says, ‘Are you ready for some Hanky Panky?’.” After I picked my jaw up off the floor (because the idea was not only creative but brilliant), I said to him…”

by Baby Robot Media

Woop announces return from prison, I Still DGAF Tour 2018 at XXL Mag

Orlando, Fla. rapper Woop was just starting to gain some major steam when he had a life-changing setback in 2016. That year, a 2010 charge of “shooting/throwing a missile at a building or vehicle” landed the “Go Away” spitta in jail with a two-year sentence on April 26, 2016. Now, with his time served and behind him, the rapper is getting back to his career and is currently on tour.

Woop, born Charles Ford, was released back into society on Feb. 15, and has made quick work of putting things back in order. He hit the road on his I Still DGAF Tour on Friday (March 2), a mostly Florida-based jaunt that will see him touch down in 10 cities in March, April and May.

Woop is hoping the time away helped form his craft. “Jail was the first time I really started to write,” he says. “I can tell more of a story now, can tell people what I’m going through. Put people in my shoes who have been here before, and who haven’t been here before—I can give them my life story.” READ MORE…

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

The Bluegrass Situation Premieres Great Peacock’s “Rattlesnake”

In Their Words: “‘Rattlesnake,’ put simply, is about addiction, The ‘rattlesnake, lion, and apple’ is the demon that one wrestles, whatever it may be. You can feel helpless in the situation.

This song has one of my favorite lyric passages we’ve ever had — the second verse starts with ‘There is a Lion, lyin’ ’round, lying through his teeth,’ the alliteration and how it rolls out, kind of like a tongue twister … I just fell in love with. Recording wise, the bass line that Tom [Blankenship from My Morning Jacket] came up with just floored me. It’s so him but on one of our songs. It was definitely a moment of everything coming together.” — Blount Floyd

by Baby Robot Media

The Boot Premieres Leslie Tom’s (Feat. Larry Nix), Hank You Very Much”

Hank Williams fans, listen up: Singer-songwriter Leslie Tom has assembled a tribute album of sorts to the country icon, and she’s premiering one of its songs, “Hank You Very Much,” with The Boot. Readers can press play below to hear the track.

“Hank You Very Much” — which features Tom’s labelmate, Larry Nix — is a twangy ode to Williams that weaves nods to the legend’s songs into a story about a girl who’s broken up with her beau, John, and is ready to, in Tom’s words, “go back to Texas and hit a honky-tonk and hear good country music.” Tom tells The Boot there are a total of 14 of Williams’ song titles mentioned in the lyrics.

“I’m driving back to Texas / I’m on my lost highway / Got those honky-tonk blues / I want to hear a jukebox play,” Tom sings in the chorus of “Hank You Very Much. “When fiddles and a steel guitar get close enough to touch / I’ll say ‘Hallelujah, Hank you very much!'”

Tom tells The Boot that she and co-writer Linda Koehl wrote “Hank You Very Much” in about two hours. Williams and his music are obvious influences on the song, “but so is every heartbreaker [we] ever suffered.”

“Hank You Very Much” will appear on Tom’s upcoming album, Ain’t It Something, Hank Williams. The 10-track record of both originals and covers reflects Tom’s own life, but intertwines her own stories with those inspired by Williams’ life of love, heartache, addiction and loss. Tom recorded the project at Cinderella Sound Studios in Nashville; it features Lloyd Green on steel guitar, as well as the Infamous Stringdusters‘ Andy Hall on dobro, and was produced by John Macy.

by Baby Robot Media

The Vinyl District Premieres: Great Peacock

“I clearly remember the first vinyl record purchase I made.”

“I had just graduated high school and wasn’t what I would call a ‘music aficionado’ by any means. It took a friend of mine dragging me to Criminal Records in Atlanta, GA, to show me what it was all about. He was a music nerd–the guy with a terabyte or so of music saved to multiple hard drives at his house. He became my music liaison; he knew my tastes and helped me extrapolate beyond them and find new music that I’d be interested in. So, what records did I walk out of the store with that day? Album by Girls and the National’s High Violet. Both are responsible for shaping my tastes, and both are still in heavy rotation today. In fact, I think I’ll go put them on right now.

I lived in Athens, GA, for seven years, and would constantly kill time thumbing through the collections at Wuxtry and Low Yo Yo. Those two hold a special place in my heart, as I cut my teeth as a musician in Athens. The folks who worked there were all musicians and they were all super inclusive and supportive of the local scene, which is something that tips me off as to whether a certain store is worth spending your time and money in. Are you getting the High Fidelity treatment or do you feel welcome? Record stores are by their nature (maybe not the Amoebas of the world) small businesses that survive by serving the local community. It should feel like a local coffee shop, not a Starbucks. Also, I’m obligated to mention that Peter Buck worked at Wuxtry back in the day. Doesn’t get any more gangster than that.