As humans, we crave being seen and acknowledged by other people — but the irony is that often, once someone else’s eyes are on us, we dodge their gaze out of fear that they won’t like what they see. Atlanta-based indie-pop singer/songwriter K Michelle DuBois gives a sound to this debilitating self-consciousness with her latest single, “On the Run Again.” READ MORE…
Homesickness hits differently when you’ve left indefinitely, and indie-pop musician Juana Everett knows it. Distance doesn’t make the heart grow fonder in this case—feelings of fear and insecurity are the ones getting stirred up. READ MORE…
Melissa Erin – “Whole lotta nothin’”
-If I gave a “best new Americana artist” award, I would give it to Melissa Erin. She’s been one of my favorite finds of 2020, that’s for sure. This song has the expressive sincerity of classic country music. I could picture this one getting applause at the Bluebird Cafe. It’s rare to find a new song with this kind of truthtelling and resonance. Melissa Erin’s vocal is good but the lyrics will stop you in your tracks. Give this one a spin, friends. It’s impressive.
Using his acoustic guitar to emphasize the vulnerability and intimacy at the core of his songs, Adam Silvestri—aka Radiator King—truly warms you up with “Out In The Night.”
From Silvestri’s newest album Unborn Ghosts, “Out In The Night” was written during an emotional breakup. Though his heart was falling apart, he couldn’t help but feel intensely grateful for having this person be a part of his life at all. This song was written to help muster the inner strength one required to move forward in life without someone you love.
Los Angeles-based indie folk artist Hayley Johnson used to go on shopping sprees to numb her insecurities, always chasing the next item that might help her feel good about herself. It took a lot of therapy — and a lot of time spent poring through feminist Instagrams — to break this cycle of self-loathing and consumption. Ultimately, she arrived at the conclusion that she already had everything she needed to enjoy self-confidence and happiness; she didn’t need to purchase anything.
Under the stage name The Little Miss, Johnson articulates this revelation in her latest single, “Spring Cleaning.” A very folky, almost country song condemning patriarchal consumer culture with incisive lyrics against dynamic guitar, steady tambourine, old-fashioned piano, and choir-like backup harmonies, the bridge builds to a climax where “all of that self-loathing is channeled into anger that is no longer directed inwards but rather outwards,” she explains.
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