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Ghettoblaster Magazine debuts The Head’s “Pebbles on the Ground,” calling it a “New Wave dreamer”

The new EP from The Head is a rollicking, five-song crash course in fusing pop perfection with gritty, fuzzed-out rock and roll. With the three-chord Troggs-style simplicity of opener “Jesus” and the Midwestern indie-rock of “Raincoats”; with phased-out New Wave daydreamer ”Pebbles on the Ground” and would-be ’90s alternative anthem “It Ain’t Easy,” Millipedes is the unified vision of a band that knows its history, and a thing or two about reinventing it in the now.

Just ask the legendary artists who have taken The Head under their wing—Big Star’s Jody Stephens, producer Mitch Easter (R.E.M., Pavement), John Vanderslice and Guided By Voices’ Doug Gillard to name a few. The band has also held their own on stages with the likes of Primal Scream, Dream Syndicate’s Steve Wynn and garage rockers Those Darlins, and have been spotlighted by outlets such as SPIN, Magnet and PopMatters.

The story of The Head is the dream of so many aspiring kids jamming out in their garages across the nation, and with Millipedes (out Nov. 13), the band takes a big step forward. READ MORE…

by Baby Robot Media

Gapers Block premiere’s new 8 Inch Betsy track “So Dark”

“The measure of a life is a measure of love and respect, the way you live, the gifts that you give,” Rush drummer Neil Peart once wrote. The love and respect with which deceased 8 Inch Betsy frontwoman Meghan Galbraith lived was remarkable. And even in death, she continues to give the world the gift of her music, with her queercore trio set to release its long-awaited sophomore and final album The Mean Days tomorrow in Galbraith’s memory.

Below, and exclusively here at Transmission, you can have a listen to “So Dark,” the newest single from the album. In context, the title takes on a poignant new meaning–Galbraith howling it over and over at song’s end is nothing short of heartbreaking–but for the most part, “So Dark” is full of life, a permanent reminder of the vivacity that Galbraith brought to 8 Inch Betsy. Her voice runs ragged with the sting of betrayal, but she isn’t cowed–in fact, she resolves to move forward, backed by sunny but hard-nosed guitar chords and a driving rhythm section that has no time to dwell on the past. It’s a beautiful, simple, representative final statement from a woman who left an indelible mark on not just the queer community or the music community, but upon everyone whose life she touched. LISTEN HERE…

by Baby Robot Media

Examiner.com on the new EP from The Head: “⭐⭐⭐⭐⭐ … A serious contender for best new music released this year.”

This Atlanta trio has been at the game a while, now. Brothers Mike and Jack Shaw, along with high school friend Jacob Morrell have toured and recorded since they formed back in 2007. Not long after, The Head released their debut Puckered, a terrific, power-pop punch. Since that first release, Morrell’s guitar prowess has lived a thousand lives, Jack has created a fluidity on the drums that is the heartbeat of the band and while Mike is an excellent bassist, it’s his voice that reaches new heights with each new release. After evolving and maturing, the band has arrived in the fall of 2015 with their new self-produced EP, Millipedes.

The fantastic opening track “Jesus” sounds like it would be right at home on R.E.M.’s Monster, with grunge guitar, off-kilter shifts and thought-provoking lyrics. The rocking “It Ain’t Easy” tells the story of Newtown gunman Adam Lanza and his disjointed and strained relationship with his parents (“I’ve never heard of a son whose never played with a gun”). A potentially controversial move on the band’s part turns out to be a winner.

The dreamy guitar work on “Raincoats” may let a little of the Ocean Blue’s “Between Something and Nothing” slip into your subconscious, while “Unspoken” is a speeding roller coaster ride. “Pebbles on the Ground” is a wonderful closer with the trio creating the perfect storm. An instantly hummable tune that is a guaranteed dance floor filler. READ MORE…

by Baby Robot Media

Excellent feature at Vinyl Mag today on Saint Pé, the new solo project from former The Black Lips guitarist Ian Saint Pé

“The wheel ain’t broken. You don’t need to fix it, just trying to put some new rims on it.” – Saint Pé

At CMJ this year, the first band on my must-interview list was Saint Pé, the newest project formed by Black Lips alum and current Diamond Rugs guitarist/vocalist Ian Saint Pé.

Backstory

As a not-born-but-bred Georgian, I’ve been a Black Lips fan since I switched Jack Rogers for Converse and mini skirts for skinny jeans back in the 9th grade. And then came college and post-college life in Athens, Georgia, where I was introduced to part-local supergroup Diamond Rugs. Dudes. This band is my joint, and I have been helplessly addicted since the release of their latest album Cosmetics back in February. Yes, that is nine full months that I have had D.Rugs in my constant rotation, and I’m nowhere near over it.

That being said, if Ian Saint Pé is involved with a band, I’m an instant convert. So when word reached my ears that he was forming a new band under his name, I was all kinds of psyched. And when I found out that the band was coming to CMJ, I snagged myself an interview with them so I could let my fan flag fly.

The Interview

We all sat down on the rooftop of Our Wicked Lady in Brooklyn before the band’s last of three shows at the fest, and as soon as the mic was on, Ian dove in, intro’ing us with our new slogan: “Vinyl Mag CMJ 2015. Pro gear, pro attitudes.” This turned out to be the first of countless ad-libbed one-liners throughout the interview, which he attributed to having a “lot of time in a van to think about things.” READ MORE…

by Baby Robot Media

Flavorwire interviews 8 Inch Betsy’s Eli Burke about what it means to put out this album in the wake of friend and bandmate Meghan Galbraith’s death.

The finality of death often spurs a reevaluation of life. For 8-Inch Betsy’s Eli Burke, the loss of bandmate Meghan Galbraith to illness was both shocking and devastating, but the record they made together, The Mean Days, proved to be a vehicle for the catharsis of grief.

8-Inch Betsy has been scraping by in the underground for more than a decade. The erstwhile Chicago queercore band toured with the likes of Gossip, Marnie Stern, and Jucifer, but never really had quite the impact outside of Chicago that they did at home. By the time Galbraith became ill last fall, The Mean Days was already recorded — the process had started in 2010 — and the band had even re-tracked the drums after their drummer quit for a second time.

But it was during a hospital visit from Burke, in which Galbraith gave the go-ahead to make the final push to release The Mean Days, that the album came together in earnest. When Galbraith’s condition didn’t improve and she passed in January of this year, the release took on new significance for the people she left behind. “At that point, it was like, ‘It has to happen now, I need to do this,’” Burke says. “Then grief kicked in, and it was really hard for me to let go of it. I knew I had to release it, and I wanted to. It was really important for me and her family and Steve Albertson, who’s one of her best friends, to get it out there. But I was having this sort of… once I get it out there, it’s over. And I don’t have that.” READ MORE…

by Baby Robot Media

The Chicago Reader has written a massive feature on 8 Inch Betsy and deceased front-woman Meghan Galbraith

Huge heart, 8 Inch Betsy: Remembering Meghan Galbraith

Ten months after her death, the community she left behind honors her positivity by welcoming her queercore band’s final album into the world.

Eli Burke came to Chicago from Tucson in summer 2003 to study at the School of the Art Institute of Chicago, but a friend from Arizona who’d already moved here had other plans. Burke (then going by Liz) had played bass in Tucson with drummer Stephanie Levi in a punk band called 8 Inch Betsy, and once they both lived in Chicago, Levi spent months trying to get Burke to come practice with her. “I eventually caved,” Burke says. “And I’m glad I did, ’cause it was good.”

Levi had recruited a singer and guitarist named Meghan Galbraith, and in summer 2004 the three of them began playing together in a Chicago incarnation of 8 Inch Betsy. They clicked immediately, developing what Burke describes as an alchemical connection at their first practice—they’d turned two of Galbraith’s solo songs into full-band numbers by the end of the night.

The band kept playing regularly till 2012, when Burke moved back to Tucson. On January 22, 2015, Galbraith died at age 35 after a long illness, and since then it’s become especially clear that she played a big role as a catalyst and inspiration in lots of places besides 8 Inch Betsy. Everyone I interviewed for this story talked about how unfailingly supportive she was. Galbraith was quick to offer an ear or lend a hand, emotionally or professionally, and pushed friends new and old to follow their dreams. She helped people get jobs or find apartments, and she always encouraged anyone who wanted to make music, sometimes helping them with songwriting or showing them the ropes of touring or running a band. Beginning in 2008, she volunteered as a band coach and counselor at Girls Rock! Chicago, which has established a Meghan Galbraith Scholarship to honor what it calls her “infectious positivity and incredible generosity of spirit.” In the scholarship’s first year, an outpouring of donations from those who’d loved Galbraith allowed the camp to waive tuition for five girls. READ MORE…