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CMJ premieres Book Club’s “You Say It So Glacial”

Atlanta’s Book Club is not a book club, but a band, though that doesn’t mean they’re not literary. Despite their music’s pastoral simplicity (they call themselves a “rural pop collective”), there’s a narrative weightiness to their sound. Take You Say It So Glacial, a single off their upcoming album One-Way Moon. Dripping with little but soft strings and the delicate harmonies of guitarist Robbie Horlick and Rachel Buckley, the song creates an atmosphere in its lyrics like, “You say it’s so glacial/like Mars or the moon/another world sometimes/in your room.” Here’s what Horlick had to say about the track and the experience of writing it immediately following a family trip to Iceland:

Some songs you slave over, and some just pour out of you. It’s a mystery. And one of the most exciting parts of that mystery is when songs come to you whole. Paul McCartney dreamed all of Yesterday. I Love How You Love Me was written in five minutes on a cocktail napkin. George Michael wrote the sax melody for Careless Whisper on the back of an envelope on a plane. There’s something really pure about songs that come into the world fully realized. And that’s how it was with You Say It So Glacial.

All of the lyrics for Glacial came to me in about five minutes. And when I got home [from Iceland], I picked up my guitar for the first time in a week, and the chords and music just fell out of me too. The song is about relationships, but not just between people—between places, histories, intentions. It’s about distance, but not necessarily physical distance. It’s about how close two people can be, and how far away at the same time. Or maybe someone will hear it, and draw something completely different from it. That’s one of the beautiful things about songwriting—once a song is out there in the world, there’s no telling what it might mean to someone. It’s like the last line of You Say It So Glacial: ‘It’s steam sometimes, what comes out of your mouth. I never know when you’re gonna go.’

One-Way Moon is out February 17 via the Cottage Recording Co. and Bear Kids Recordings. LISTEN HERE…

by Baby Robot Media

Magnet News: Jesse Harris’ new album No Wrong No Right is out Feb. 10 on Dangerbird Records

The 13th album from Jesse Harris, No Wrong No Right, is a collaboration with NYC duo Star Rover and will be available from Dangerbird on February 10

The first full-length album from Swervedriver since 1998 will be released in March via Cobraside. A supporting North American tour, including a performance at SXSW, will kick off tat month … A Place To Bury Strangers has announced the February 17 release of its fourth album, Transfixiation, via Dead Oceans … Jingle Bell Rocks! is a documentary directed by Mitchell Kezin about his search for the best Christmas songs of all time. Featured is Flaming Lips frontman Wayne Coyne, Rev Run of Run DMC, filmmaker John Waters and more. It will be released theatrically in select markets beginning November 21, with a DVD release on November 28 and a digital release on December 9 … New West will issue the new record from Steve Earle & The Dukes, Terraplane, on Feburary 17 … On January 20, expanded deluxe CD reissues of Jellyfish’s Bellybuttonand Spilt Milk will be released by Omnivore, featuring 51 bonus tracks … The 13th album from Jesse Harris, No Wrong No Right, is a collaboration with NYC duo Star Rover and will be available from Dangerbird on February 10 … Martin Sexton’s eighth studio album, Mixtape Of The Open Road, is due out February 10 via KTR/Redeye … I Aubade, the latest release from Elvis Perkins, is set for a February 24 release on MIR … Polyvinyl has announced the February 17 release of the new Sonny & The Sunsets album, Talent Night At The Ashram … In January, Mouse On Mars’ Jan St. Werner will release a new solo record,Miscontinuum Album, via Thrill Jockey. READ HERE…

by Baby Robot Media

Stereogum premieres Grand Vapids’ new song “Kiln”

Grand Vapids hail from Athens, where they’ve honed a droning take on indie rock in the lineage of Galaxie 500, Low, and fellow Georgians Deerhunter. “Kiln,” from the band’s Drew Vandenberg-produced debut albumGuarantees, is a fine demonstration of that style, all somnambulant beauty and shimmering, scraping white noise. The song seems to spend its entire run time either waking up to a new day or slowly moving toward that light you supposedly see when you’re dying. Listen or download the understated gorgeousness below. LISTEN HERE…

by Baby Robot Media

Paste Magazine’s exclusive on Jesse Harris, who has just announced the release of his new album with Star Rover, No Wrong No Right

We here at Paste have had singer-songwriter Jesse Harris on our playlists for a while now, and we’re happy to say he’s back in classic form with the titular single from his upcoming 13th album, No Wrong No Right. Harris, who won a Grammy in 2003 for writing “Don’t Know Why” for Norah Jones, has collaborated with an extensive array of artists, including Bright Eyes, Cat Power, Feist, M. Ward, Melody Gardot, Mike Patton, John Zorn, Solomon Burke, Willie Nelson and Emmylou Harris. Now, his solo efforts are rightfully back in the spotlight, starting with “No Wrong No Right,” which you can listen to exclusively in the player above.

“No Wrong No Right” is about a contemporary, existential malaise,” says Harris. “I think a lot of people go through that—not really making hard choices, and just sort of meandering along as time passes by. As for where this malaise comes from—it’s easy enough to say, ‘Well, everybody’s on the Internet these days, and there are cellphones everywhere,’ which, on the surface, almost seems too facile of an explanation, but at the same time I feel like there’s some truth to it. I think these things give people an illusion of endless time while simultaneously, they eat away at time in an imperceptible way. And before you know it, people have gotten older, and there are some things they still haven’t dealt with in a meaningful way.”

Harris is toying with three distinct elements for this impressive 13th album—fleshed out full band tunes, an array of intimate duets and a trio of instrumental tracks. In this way, No Wrong No Right sees a veteran musician taking equal inspiration from Neil Young and experimental duo Star Rover. Harris is open about his admiration and friendship with Star Rover and the musical chemistry that subsequently blossomed: “I fell in love with their band,” Harris says. “I was sort of a groupie, checking out their gigs all the time. One day they invited me over to their loft to play, and it felt great from the first song. Which inspired me to write a bunch more songs.” Star Rover went on to join him in performance, so the full album will be credited to “Jesse Harris with Star Rover.”

The duets on the album are with guitar player Julian Lage, who has worked with members of Wilco and The Punch Brothers. “Julian is a remarkable young musician,” Harris says. “He’s a jazz guitarist, but he’s equally interested in songcraft and experimental music. Playing with him is always exciting.” The instrumentals onNo Wrong No Right promise to bring excitement as well—they range from a meditation on social media to a tribute to legendary Japanese anime director Hayao Miyazaki.

For the time being, the new album’s title track will hold us over. No Wrong No Right is due out via Dangerbird Records on Feb. 10.

LISTEN HERE…

by Baby Robot Media

Video: The Wans perform ‘The Holy One’ at CMJ 2014

Watch this video of The Wans performing their song “Holy One” at this year’s CMJ Fest, live at Knitting Factory Brooklyn…

by Baby Robot Media

Glide Magazine premieres Sara Rachele’s gorgeous new black & white, live-in-the-studio session video for “Black Mile.”

Recorded in her hometown of Atlanta, the Brooklyn/East ATL-based Sara Rachele’s debut, Diamond Street, rides out slow and dark as a jet-black 1960s Chrysler New Yorker. The live-to-tape LP—produced by Kristofer Sampson (B-52’s, Balkans, Coathangers)—was recorded in just two days, and captures the East Village nightlife of a young songwriter in what Glide previously called “a timeless, vibrant rock ’n’ roll statement.” Diamond Street’s sparkling lo-fi charms span the decades, Rachele channeling everything from classic Fleetwood Mac and Petty’s Heartbreakers to Lucinda Williams and David Lynch muse Julee Cruise.

On recording with producer Sampson (who also plays in New West Records band Ponderosa), Rachele says, “Kris really challenged me on this album. Even though we were working quickly, he had patience with the songs, and he took the sound to a new place for me without it seeming disingenuous.” The results have landed Rachele in esteemed outlets like American Songwriter and No Depression, critics comparing her work to that of singular artists such as Neko Case, Stevie Nicks and gorgeously moody ‘90s alternative band Mazzy Star.

In addition to producer Sampson, Rachele’s new debut Diamond Street features the musical contributions of budding folk hound J. Thomas Hall (New West’s Normaltown Records imprint) as well as a cast of Atlanta-based heavy hitters including Lightnin’ Ray Jackson (Washed Out, Gringo Star), Spencer Pope (Ocha La Rocha), Spencer Garn (Ruby Velle & the Soulphonics) and Snowden’s Chandler Rentz.Diamond Street represents the gorgeous clash of Rachele’s folk-centric upbringing and her beat rock & roll adventures in New York City. With five years of stories under her belt, she has created a moody musical pulp, resounding with smoky memories of ambling city nights.

Glide is proud to premiere Sara Rachele’s video for “Black Mile,” a track that reflects Rachele’s aching vocals and sense of melodic virtuosity stirs immediate comparisons to Stevie Nicks’ most recognized ballads with Fleetwood Mac.

Rachele goes on to describe the track:

“Black Mile” is about loneliness—about those moments you’re thinking about mortality. I’ve always felt that those songs, about death, are the hardest to write, but the most comforting to listen to. It’s about accepting our fear of mortality—my friend Melissa Ferrick has a song where she just repeats, “The journey is the destination… the journey is the destination.”

There’s an old jazz song called “Black Nile,” and it got me thinking this concept of life as a journey, and death as a journey, too. I felt compelled to write a song about, and the guys in the studio really got into that vibe with me. The result was “Black Mile.” I wrote the song in one sitting… it kind of wrote me, in a way. Once we were in the studio, it all came together, really out of nowhere, as a full-band composition—the way Chandler Rentz played drums on it really stirs something in me every time I hear the song. He really made it my favorite song on Diamond Street.

At peace. That’s where this song puts me—in a conversational way, talking to death, addressing mortality and my own life each time I sing it… looking right down the barrel of the gun and saying, “I’m okay with whatever happens.” That’s the way I want to live my life; not in fear, but in communication with life itself. With acceptance.” WATCH HERE…