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Tesla Rossa is the lead story today at Substream Music Press, where you can stream their new self-titled debut in its entirety.

For the past five years, Tesla Rossa has been silently running wild at house parties and basement shows around the country. Now, the band is finally releasing its self-titled debut album. A lot can happen over five years, and Tesla Rossa stands as evidence of that. The album showcases a dynamic collection of songs varying greatly in musical influence. One moment roars as wildly as any garage rock jam, the next comes gently crooning, dancing over strings, or dabbling with sitar.

“We always kind of joke that we’re the modern rock version of a throwback band, or like a throwback band from the future, because we do have a lot of those sounds that rock and roll was built on but we always try to wrap it around some kind of new thing,” says vocalist/guitarist Jason Denton.

The trio, finished off by Ryan Tullock and Nathan Wahlman, gathers an eclectic mix of influences channeled into one blend of sounds that defines Tesla Rossa. Even between members the influences differ. “I’m much more of a rock guy, Nathan loves jazz, Ryan’s much more of…he loves pop and more of the hip hop world,” Denton explains.

It’s not only the wide collection of influences that leads to the diverse style, the time spent together as a band plays directly into where Tesla Rossa is now. Five years’ time provided the Nashville group with a collection of songs spanning a variety of directions influenced by their own lives and musical interests during that time period. LISTEN HERE…

by Baby Robot Media

Impose premieres Grand Vapids’ “Adequate”

Sometime there is that song that just strikes you in your most vulnerable spot, where the invested contributions to composites of the ego are brought down by roaring boulders of misapplied attention. Such is the grandeur, the sledgehammer to the gut hit of the dissected and deconstructed self-agonizing anguish that is “Adequate”, the big new premiere from Grand Vapids. With their album Guarantees slated for release January 20, the Athens, Georgia quartet of Austin Harris, McKendrick Bearden, Chris Goggans, and Paul Stevens express the creative contents collected from the vapid void with the smart arrangement assist from Drew Vandenberg at the production and engineering seat. The reality check that winter brings comes in the raw and realist gift that you moped around all year waiting for.

With the indie communities of Southern artists and bands on a steady rise, Grand Vapids cut to the core by providing some new grunge caveats that add some new tricks to the 90s ‘revival’ conversations. Off the bat from “Adequate”, internal drives and goals are submerged into the apathetic undertow of castoff aspirations. The internal monologue ruminates through the need for conclusive assurances on the unsettling issues of unknown investment returns on pursuit of all contributed labor. The heavy-headed sulk and personal realization of crisis gets the biggest lift from the cracking noise blossoms of feedback that convey a narrative even heavier than the glum portraits painted by the lyrics. Following the debut of “Adequate”, we got to know the world of Grand Vapids in the following interview with McKendrick Bearden. LISTEN HERE…

by Baby Robot Media

Grand Vapids premiere new track “Tuned” at CMJ

Athens, GA’s Grand Vapids have only been together since the start of this year, but their music sounds like the output of a band with way more than exactly zero albums under its belt.Guarantees will be Grand Vapids’ debut LP, set to arrive at the start of 2015. Until then, we’ve got the premiere of the album track Tuned, which struts around with a lazing Beck monotone and a wobbly Pixies buzz. “What I am doing here?” lull co-singers McKendrick Bearden and Austin Harris. Our guess is making pretty good music. LISTEN HERE…

by Baby Robot Media

PureVolume premieres Sara Rachele’s new cover of Mazzy Star classic “Fade Into You”

Sara Rachele released her debut album, Diamond Street, in September and didn’t wait long to give her fans more new music. The Georgia-raised folkstress is gearing up to release her “Listen, Judas” 7″, and today we’re thrilled to premiere its B-side, a hazy (even moreso than the original) cover of Mazzy Star‘s “Fade Into You.” Stream the song above.

“For me, Mazzy Star’s Hope Sandoval is synonymous with mystery,” Rachele confesses. “Her poetry and imagery is something that drew me in from the first time I heard it. She has this uncanny ability to take a simple lyric and make it mean so much. And with “Fade Into You”—which, really, is the quintessential Mazzy Star song—there’s something magical about the way the melody and chords come together. It’s one of my favorite tracks, so when a fan request came in for me to cover it, I immediately said yes. I said yes before I had a second to even think about it.

“The group of musicians behind this new version we’ve recorded is really special to me, as it included members of my old band [Decca/Universal recording artists] The Love Willows. Ryan Wilson produced and engineered alongside Hope Wilson at their studio, Hey Hey, in East Nashville.

“Back in the day with The Love Willows, Ryan and I would always talk about our favorite melodies. He’s got a knack for the bigger, slicker pop songs, so when I asked him to do this moody cut, I wasn’t quite sure he’d say yes. I told him it was a fan-requested cover, and he jumped right in, coming to the table with some amazing players and ideas. For such a dark song, it ended up being a fun vibe, a chance to get our old band back together for a few hours, this time with me on lead vocals. [Rachele used to handle backup vocals and keys for The Love Willows.]

“We cut “Fade Into You” all live, as per my mandate, and afterward sat around telling old stories from when we all used to play together. It was an incredible experience to get to put our spin on a song that meant so much to all of us growing up. And to bring it all home, we asked our friend Kristofer Sampson [Ponderosa, B-52’s, The Coathangers] to do the mixing. I’m really proud of how it came out, and of everyone who plays on it. And also, a big thanks to Mazzy Star for existing, and to the fans for reminding us why we do this in the first place—for each other.” LISTEN HERE…

by Baby Robot Media

Yellow Couch Sessions: Spirits and the Melchizedek Children perform “Song Bird’s Grave” & “Wrong Turn”

Watch Spirits and the Melchizedek Children perform “Song Bird’s Grave” & their yet unreleased song “Wrong Turn” from their Yellow Couch Sessions, recorded while on tour behind new LP, So Happy, It’s Sad…

by Baby Robot Media

Glide Magazine premieres Tesla Rossa’s “Heavy Love, Pt. 2”

More than anything else, Tesla Rossa is an organism that has evolved rapidly and constantly through touring, writing, and common living over the past five years. After years of heavy touring and writing, Tesla Rossa is finally celebrating their first full-length release due November 11th. With the upcoming release due, Glide is excited to premiere the self-titled album’s track “Heavy Love, Pt. 2,” (below) a revealing composition that combines the melodic mood wings of My Morning Jacket along with cryptic underbelly that spells listener rewarding authentic rock and roll.

“Heavy Love Pt. 2 ” started as an outro to another song that we’d play in our basement all the time. Friends would be over hanging and listening, and we’d just keep jamming on it, and turning it into this reverb-soaked Motown-inspired thing, ” explained singer-guitarist Jason Denton.

“We had an instrumental demo of the song, and one night I took a mic and a laptop into this weird dungeon closet in my basement, and I recorded the lyrics over it. They were from a poem I’d written. It was avery turbulent time in my life. Most of my lyrics from that time are me telling myself that I can get through anything—writing songs rooted in a positive desperation. Anyway, I could’t wait to let the band hear. “Heavy Love, Pt. 2? quickly became one of our favorite songs to play live. It’s the first chill song we ever wrote together. When we brought it to Vance, it was already so developed that we literally set up, rolled tape, played it once, and that’s the version you hear on the record. It was the first song cut in those sessions.”

Tesla Rossa worked with several notable producer/engineers on this forthcoming self-titled debut, including former Wilco drummer Ken Coomer and Vance Powell (Jack White, The Dead Weather). Powell assisted in narrowing down their numerous demos into a cohesive record and bring it to life. They cut the chosen tracks live in Powell’s studio and brought on Kyle Dreaden, now producer of the band, to mix.

The record itself spans a wide variety of styles from dicey blues-rock strut to expansive arena melodies. In their most recent work, powerful groove-based drum parts and earworm melodies stand at the forefront. Perhaps the key to the band’s dynamic is their diversity of taste. “We all have very different listening preferences,” Denton points out. LISTEN HERE…