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Under The Gun Review premieres Spirits and the Melchizedek Children’s new video for “So Happy, It’s Sad”

Sexy shoegaze outfit Spirits and the Melchizedek Children have been on a roll lately. While supporting their latest release, So Happy, It’s Sad, the band have shared the stage with the likes of Florence and the Machine, Civil Twilight and Dead Meadow. Under The Gun Review is teaming up with Spirits and the Melchizedek Children to premiere the new video for the record’s title track, “So Happy, It’s Sad.”

In the video, the song plays host to a woman imposed deep into a sexual euphoria brought on by the utter reverberation and melodic healing of the track. LISTEN HERE…

by Baby Robot Media

Consequence of Sound on Gringo Star’s new single “Long Time Gone”: “Hits you right in the guts… and the heart.”

For their first two albums, 2008’s All Y’all and 2011’s Count Yer Lucky Stars, Atlanta garage rock outfit Gringo Star had the good fortune of working with famed producer Ben Allen. As he did with the likes of Animal Collective and Deerhunter, Allen managed to maintain the band’s innate sound (a rambunctious blend of garage rock and power pop) while adding a distinct sheen of studio polish and professionalism. However, when it came time to record album No. 3, the trio hit the studio alone, hoping to channel more of a “punk-ish” energy. The resulting record, last year’s Floating Out To See, was a slightly grungier, more intense effort than its predecessors.

Gringo Star will once again fly the DIY mantle with their upcoming seven-inch, having recorded in their own basement. Before the effort hits digital retailers this Friday (October 17th), the A-side “Long Time Gone” is streaming below. A lighthearted, classic rock ‘n’ roll romp, the track features a surprisingly minimalist arrangement, with the focus primarily on some light distortion and a flamenco guitar that weaves in and out of the mix. Despite the blissful instrumentation, the vocals sound wholly unaffected, as singer Nicholas Furgiuele slurs lines like, “I know I got to let it go a long time gone.” It might lack the band’s past elegance, but the track still hits you right in the guts and the heart. LISTEN HERE…

by Baby Robot Media

Substream Magazine premieres new Tesla Rossa song “Kaleidescopic Soul”

More than anything else, Tesla Rossa is an organism that has evolved rapidly and constantly through touring, writing, and common living over the past five years. Having played festivals such as Starry Nights, Nashville’s Road to Bonnaroo and CMJ Festival in NYC, they are poised to bring their tightly-composed rock and pop rarities to a larger audience.

Members Jason Denton, Ryan Tullock and Nathan Wahlman met through a polygon of romantic mishaps that would have tested even the best of friendships. Oddly enough, the group gravitated toward one another and before long were writing, recording, and playing wild shows at houses and venues alike. Young and full of fire, they threw themselves into the college party and house show circuit, spreading the good times and igniting many a late-night dance party. As they grew in life experience and musical maturity, however, it was time to see their work in serious light. They enlisted the help of engineer Vance Powell (Jack White, The Dead Weather) to narrow down their numerous demos into a cohesive record and bring it to life. They cut the chosen tracks live in Powell’s studio and brought on Kyle Dreaden, now producer of the band, to mix. After years of heavy touring and writing, Tesla Rossa is finally celebrating their first full-length release. LISTEN HERE…

by Baby Robot Media

SEX BBQ’s Wake Up is Speakers in Code’s Jam of the Day

If their name wasn’t enough — look, getting an email with the words SEX BBQ in the subject line is startling but awesome — Atlanta’s SEX BBQ has outdone themselves with their first single, “Wake Up”. The combination of the childlike lead vocals and concertina on the verses with the heavy guitars and menacing lilt of the chorus gives the track a weirdly innocent eeriness — or maybe an eerie innocence. It’s part punk rock, part nursery rhyme, and all terrifically unique, unlike anything else I’ve heard this year.

It’s kind of the perfect track for a haunting season in October, for the grey skies and earlier darkness of the fall; look behind your doors and under your bed before you go to bed, because SEX BBQ might be waiting for you. LISTEN HERE…

by Baby Robot Media

Noisey streams Al Lover’s new record Sacred Drugs, saying he is “quite literally the only one who does what he does”

I first met Al Lover in a dewy backyard in San Francisco. Some friends were throwing a (mostly) garage-rock show with a few bands, and Al was set up in the corner to DJ in between sets. I expected what I usually expect when I see a DJ in San Francisco- two laptops, a cross-fade, and a playlist that switches back and forth from a Sonny & The Sunsets song to a Ty Segall song with a completely different BPM. This was not the case with Al Lover.

Al Lover is most well-known for his ability to be a non-synthy/trappy/basic beat-maker, and instead a psych-producer- which is very #rare and extremely rad. He is quite literally the only one who does what he does. The psych-lover’s dream layers shaky drum beats over contemporary and vintage garage-psych jams. Dude even refers to his own beats as “Al Lover’s Distorted Reverberations of Reverberating Distortion.” Noisey is stoked to be premiering his new record, Sacred Drugs, a 14-track kaleidoscopic journey that you should probably recommend to any of your burner friends who want to chill inside of a teepee at Burning Man and “vibe out, broooooo.” Seriously though, this album rules. LISTEN HERE…

by Baby Robot Media

Pure Volume premieres Tesla Rossa’s new single “Movie Houses,” comparing the Nashville band’s “slow-burning balladry” to Brand New and Manchester Orchestra

Tesla Rossa are gearing up to release their self-titled debut album next month, and today we’re excited to premiere its latest offering, “Movie Houses.” Produced by Vance Powell (Jack White, The Dead Weather, Arctic Monkeys), this song showcases the alt-rockers’ knack for slow-burning balladry and solidifies their comparisons to the likes of Brand New and Manchester Orchestra. Stream the track above.

“‘Movie Houses’ was written during a time in our lives when we were trying to go off the map from a social standpoint,” vocalist Jason Denton explains. “Get out of the Nashville party scene and really get to work. The band all moved into a house together in East Nashville, and started writing and demoing music every night—getting more experimental.

“The same way I tend to lean on an “amp-cranked-to-10, sparkle-crunchy rip-your-face-off” guitar tone, [our lead guitarist] Ryan is the exact opposite. ‘Movie Houses’ was originally loud when I wrote it. Very loud. A booming, monstrous kind of thing. But after touring on it a bit, we started to discover the dynamic of what was happening between us on stage. It morphed into a song where Ryan gets to have his really soft, dark string-plucking moments, I get to have my loud moments, and [our drummer] Nathan somehow segues the two moods with an hypnotic beat. Then we threw in a sort of PB & Jam into the middle of it all.

“We cut this track live to two-inch tape with Vance Powell, who’s worked with Jack White, The Raconteurs and The Dead Weather. At his studio, we put these these newly discovered dynamics into action. The strings on the track were actually the very last thing we overdubbed for the record.”

Look out for Tesla Rossa’s self-titled debut on November 11. LISTEN HERE…