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EarBuddy premieres Lindsay Kay’s new song “Clean & Fair”

Last week we featured Lindsay Kay in our artist spotlight Fresh Wax. This week we premiere a new song from Kay’s forthcoming album, For the Feminine, by the Feminine, which arrives October 5th. Check out the new song, “Clean & Fair”, and find out more about it from the artist herself below.

What is the new song about?

“Clean & Fair” is about falling out of love, the truths of a relationship becoming clear, and running out of excuses to stay. I also feel it has undertones addressing the expectations and pedestals men can often time put on women, and how our experiences are secondary and our sacrifices expected…..READ MORE

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Wide Open Country premieres The Deep Hollow’s new single “Carry Me Home” off of their upcoming album

Illinois-based Americana trio The Deep Hollow’s new single “Carry Me Home” adds new lyrical depth to a familiar story. Members Micah Walk, Elizabeth Eckert and Dave Littrell consider a familiar conundrum: some artists must leave their small town to grow creatively and commercially, but the best songs come from a lingering love of a simpler home-town existence.

“This song is about taking a leap of faith and knowing that at the end of the day, if things don’t go your way, you can always come back home,” Eckert says. “It’s about taking chances so you won’t look back and have any regrets.”

Lyrical inspiration hit Eckert suddenly while she was out exercising. “Micah had sent me a voice memo of a guitar part he had written, and it sort of just fell out,” she adds. “I was basically sprinting home so that I could make sure I didn?t forget any of the lyrics!”

The new song teases the fuller sound captured on forthcoming album Weary Traveler, out Oct. 26. Instead of resting on the laurels of its self-titled 2016 debut album, featuring American Songwriter Magazine’s 30th Anniversary Song Contest winner “Devil,” the trio saw a new release as a chance to further flesh out their storytelling chops and musical accompaniment. To realize their ambitions, they brought in producer Gary Gordon (Montgomery Gentry, David Davis & the Warrior River Boys).

With its three-part harmonies sounding richer, “Carry Me Home” might just crush it in some other songwriting contest. The band tells its own small-town stories and speak for strangers throughout an album that also features the politically-charged story about homelessness titled “Freedom Street” and a tale about suicide called “Anna’s Gone.”…..READ MORE

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Culture Collide debuts new single “Radio Tower” from The Herbert Bail Orchestra

Led by vocalist Anthony Frattolillo, L.A. based The Herbert Bail Orchestra’s “Radio Tower” is more indie-folk with a side of grit than straight up rock. Guided by lively accordion and Americana-colored guitar sounds, Frattolillo speak-sings the lyrics in this rhythmic trip. It continues an old-school orchestral sound, drawing from places like western Europe and rural America, while simultaneously echoing the current vibe of bands like Mumford and Sons and Beirut. READ MORE…

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Americana UK features Nick Dittmeier & the Sawdusters new single “Love Me Like You Did”

Nick Dittmeier & the Saw Dusters

Southern Indiana alt-country/Americana outfit Nick Dittmeier & the Sawdusters have announced the October 26th release of their latest LP ‘All Damn Day’ and have released the lead single ‘Love Me Like You Did’ which Wide Open Country described as “heartland rock riffage meets classic country storytelling.” Frontman Nick Dittmeier says of the new record: “I look at this record as a continuation of a lot of storytelling by these writers. Their themes touch on a lot of forgotten people, working-class people and characters that have impossible situations in front of them.”…..READ MORE

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EarBuddy talks with Lindsay Kay about her upcoming album “For the Feminine, by the Feminine”

Singer/songwriter Lindsay Kay will release her album, For the Feminine, by the Feminine, on October 5th. It’s an album of songs centered around womanhood and femininity, entirely created by women and female-identifying pros. “I tried to imagine men recording this music,” Kay says, “even men I love working with, and it made me uncomfortable. I needed people who could truly connect with the music on a personal level and would allow me to be completely vulnerable in the studio.” There’s an ethereal quality to the music that draws you into the emotion behind the lyrics. Learn more about Lindsay Kay in this edition of Fresh Wax.

You’re currently based in Los Angeles, but you grew up in Calgary. How did that shape you as an artist?

I think Calgary was the perfect city for me to grow up in because I wasn’t too spoiled with constant access to art and culture and thereby couldn’t take it for granted, but it’s also a big enough city that there were things happening and I wasn’t totally disconnected from interesting art and music. It was a nice balance – it really forced me to be curious and seek out music that I wouldn’t have otherwise been exposed to naturally unless I lived in a city like LA or New York, but there were also some cool music venues and the city had a nice underlying heartbeat of folks making music. There were a few open mic nights where I was able to perform and hone my craft a little as I got older, and that helped prepare me for a place like Berklee.

The music scene in Calgary, and general taste of Calgarians, does tend to lean a little in the direction of country, roots, and Americana style music, but we were fortunate to be a……READ MORE