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Verbicide Magazine premieres 8 Inch Betsy’s latest “Get in the Van”

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For 10 years, Chicago queercore outfit 8 Inch Betsy played what WithGuitars.com described as “aggressive lyric-driven rock with an equal debt to riot grrl ideals, snotty ‘90s pop-punk, and the heart-on-your-sleeve honesty of artists like PJ Harvey and Nina Nastasia.” Sadly, in January 2015, front woman and primary songwriter Meghan Galbraith passed away from a year-long illness at the age of 35, leaving in her wake a legacy of love, camaraderie, and a finished album that had gone unreleased. READ MORE…

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Rolling Stone features Aaron Lee Tasjan and premieres his new song “Florida Man”

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“The part I have to work out with my psychiatrist is that I am emotionally identifying with a state,” Aaron Lee Tasjan tells Rolling Stone Country about his new single, “Florida Man.” Streaming exclusively below, it’s a chugging, steel guitar and piano-laced folk song about the Sunshine State and its amorphous, often ridiculous villains that seem to appear daily on the crime docket — but also the diamonds hidden in the rough. READ MORE…

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MAGNET premieres Sara Rachele’s new lo-fi black & white video for her cover of Paul Anka classic “Crazy Love”

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Sara Rachele released a refurbished version of “Crazy Love,” by Paul Anka. The swanky remake will leave you dumbfounded. The song is nearly unrecognizable from its original incarnation. The rhythmic string plucking of the guitar will entice your ears into a listening nirvana. We are proud to premiere the video for the track today on magnetmagazine.com. WATCH HERE…

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The Head debut new single “Jesus” via PureVolume.com

The Head millipedes jesus purevolume

If you never heard of Atlanta trio The Head, you’ll have no excuse after they release their Millipedes EP in November. Comprised of guitarist Jacob Morrell, singer/bassist Mike Shaw and his drummer brother Jack, The Head have a sound that’s rawer and powerful than their age —early 20s — would indicate. Their heavy dose of vintage college rock, lo-fi garage rock and shoegaze is a welcome throwback, yet retains a sonic quality that feels at home in 2015. The trio has held their own opening for bands like Primal Scream, Steve Wynn and Those Darlins, and have been approved by the likes of Big Star’s Jody Stephens, producer Mitch Easter (R.E.M., Pavement), John Vanderslice and Guided By Voices’ Doug Gillard. Today, we’re stoked to premiere the band’s “Jesus,” which mixes the delicate balance between heavy and aggressive without teetering over the edge leading to an exciting wall of reverb that punches you in the face. Oh, and Mike Shaw’s vocals recalls some of the early grunge greats and that doesn’t hurt either. READ MORE…

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Sydney Eloise & The Palms release their debut LP, Faces; Creative Loafing gives 4 out of 5 star review, hosts album stream

Sydney Eloise and the Palms Atlanta faces indie rock BABY robot media creative loafing

Sydney Eloise reveals a lush, ’60s pop sound with her debut album, Faces (the Cottage Recording Co./Bear Kids). Marking an impressive departure from the girls-night-out country pop of her early single “Bad Suzie,” songs such as “Tell Me What I Want to Hear,” “Sorry, Not Sorry,” and “Always Sailing,” manage the impressive feat of abandoning pretense without sacrificing her gifts for melody and a sweeping voice. Backed by the Palms, featuring Damon Moon (bass, drums) and Chandler Galloway (keyboards), maturity is a group effort. Eloise’s delivery is inseparable from the larger than life production. Nowhere is this truer than “The Loneliest Boy In NY,” a lilting closer sung by a woman embracing her true identity. LISTEN HERE…