Today is a great day to share the latest single from Alternative rock duo Flarelight, called “One More Night.” This great-sounding rock track comes from the band’s forthcoming new LP The Light We Make and the tight production found on this song and others showcases the limitless possibilities of this artist.
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Ghost Cult Magazine debuts new single and video from Ghost Pavilion, “Trouble I See,” noting James Higgs’ “thought-provoking songs, couched inside bright moments of indie jams.”
Ghost Pavilion is the pseudonym of L.A.-based psych/indie rock artist James Higgs (ex – Spanish Prisoners), and definitely an artist you need to know for 2022. His debut self-titled LP, drops this Friday, October 14th, 2022, and was mastered by GRAMMY-nominated engineer John Baldwin (The White Stripes, Iggy Pop, Sly Stone). The new album has James deepening the path he has carved as a DIY artist, with thought-provoking songs, couched inside bright moments of Indie jams, getting out the bad mojo that life imposes on us.
Americana UK debuts the new single from Moon Shine, “I Tried to Keep on Loving You,” noting its “shimmery take on the country end of Americana, bringing to mind Emmylou Harris or say, for a modern comparison, Courtney Marie Andrews.”
Moon Shine (aka Angie Glasscock) is a Brooklyn based singer-songwriter whose debut album ‘The Land in Between‘ will be hitting the streets on November 11th. The name Moon Shine was chosen because, Angie explains, “The Moon is a female symbol, the name ‘Moon Shine’ refers to women shining.” And it’s certainly true that this is a shimmery take on the country end of Americana, bringing to mind the approach of Emmylou Harris or say, for a more modern comparison, Courtney Marie Andrews.
Grateful Web covers SeepeopleS new LP Field Guide For Survival In This Dying World
SeepeopleS is the politically-charged indie project led by Portland-based singer/songwriter and producer Will Bradford. The band has been making their way through the indie underground for decades, taking a fluid approach to genre lines but uniting their diverse stylistic instincts with a strident topical edge. “Bradford has toured the country as SeepeopleS’ bandleader, songwriter, and producer, bringing his defiant, politically-charged music to the masses, challenging audiences to question the world around them creating a community of misfits hellbent on speaking truth to power. Now, on SeepeopleS’ brilliant sixth LP, Field Guide For Survival In This Dying World, Bradford has created an empathetic, emotionally intelligent collection of songs that serve as both a documentation of personal struggle and a companion in a world that seems edging closer to collapse.”
“SeepeopleS’ music has always been characterized by Bradford’s staunch refusal to abide by genre conventions, and Field Guide For Survival In This Dying World continues in that spirit, though Bradford’s talent and decades of experience have allowed him to blend 90s inspired electro, expressive indie-folk, and avant-garde pop into something musically diverse yet wholly cohesive.”
MP3s and NPCs covers Jack Terricloth (World/Inferno) memorial shows and tribute album
The Jack Terricloth Foundation, which formed after the tragic passing of Jack Terricloth of World/Inferno Friendship Society and Sticks & Stones last year, has announced the title and release date for the Jack Terricloth tribute album (the tracklist was released in May and includes Jeff Rosenstock, Catbite, The Bouncing Souls, Worriers, and The Unlovables). It is called Endless Possibility: A Tribute to Jack Terricloth and will be out everywhere October 31.
ELPENTHE aka Elliott Beenk gives quote on mastering for vinyl to Lifewire
“Mastering for vinyl, digital, and CDs is a markedly different process. If you upload a bad master going to a digital service provider (DSP) like Spotify, the worst that will happen is the song sounding bad and your friends making fun of your bad taste in music,” music producer Elliott Beenk told Lifewire via email. “If you have a bad master pressed to vinyl, if the bass is too loud, or the grooves too deep, the needle can literally jump off the record and lead to a faulty batch of records.” READ MORE…