Americana Highways
Americana Highways reviews the new EP from Gwen Levey and The Breakdown, noting, “Gwen’s country music is the dominating double-fisted kind & not afraid to make light of a serious subject.”
Gwen isn’t as coarse as Janis Joplin or pop-synthetic as Taylor Swift. Gwen’s country music is the dominating double-fisted kind & not afraid to make light of a serious subject. Her songs are well-written & melodic. Never so message-driven as to be preachy & radical. Gwen delivers with sophistication & not with a temper. But she does draw attention.
Americana Highways debuts the title track from Gwen Levey and The Breakdown’s forthcoming EP, “Not the Girl Next Door,” calling it a “fuzzy electric guitar-powered anthem.”
Americana Highways presents this premiere of Gwen Levey’s song “Not The Girl Next Door,” the title track from her forthcoming EP due to be released on November 3. The song was written by Gwen Levey, Will Rambeaux and Sherrie Austin. The album was produced by Will Rambeaux, mixed by Rory Rositas, and mastered by Dan Frizsell.
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Americana Highways debuts the new single from Old Heavy Hands, “All the Time in the World,” noting, “There are pauses, notes, and other aspects of this song that strike you, and by their very nature grab hold of you until you stop in your tracks and think.”
Americana Highways is hosting this premiere of Old Heavy Hands’ song “All the Time in the World” from their new album Small Fires, slated to be released on January 19. Small Fires was produced by Danny Fonorow and Old Heavy Hands; engineered by Mitch Easter, Ted Comberford and Benjy Johnson; mixed by Henry Lunetta and mastered by Greg Calbi and Steve Fallone.
Americana Highways debuts new single from Shannon Clark & the Sugar, “Cool Waters,” noting its “rich keys and spine chilling harmonies.”
Americana Highways brings you this premiere of Shannon Clark & the Sugar’s song “Cool Waters” from their forthcoming album This Old World, which is slated for release on September 8. The album was produced by Justin Weaver, mixed by Mitch Furr, engineered by Jeremy Bernstein at Welcome to 1979; and mastered by Adam Grover.
Americana Highways reviews the new album from Megan & Shane, Peaks & Valleys, noting, “The duo of Megan and Shane Baskerville is a bit country-based in a Gram Parsons-Emmylou Harris style.”
This effort starts pensive & folky but then by “Rose Colored Glasses,” Megan Baskerville’s pipes really start to percolate. The song is superb & her vocals are like Benedictine & Brandy. The duo of Megan and Shane Baskerville is a bit country-based in a Gram Parsons-Emmylou Harris style.