Set to Farees’s self-coined ‘wall of groove’ production style, this duet with The Meters’ guitarist is a syncopated kaleidoscope of squelchy funk, Latin vibes and Stevie Wonder-esque political ire. Plus the sort of trippy, idiosyncratic moments that make us think of Parliament/Funkadelic (‘That’s Farees right there! He’s on the drums, he’s singing, playing maracas, building spaceships, all types of shit!’). It’s not hard to see why the likes of Taj Mahal have endorsed him.