Glide Magazine

D.L. Rossi Talks New LP “A Sweet Thing” With Glide Magazine

After overcoming the unimaginable heartaches and tribulation of life- Americana-blues man D.L. Rossi lets it all pour out in the name of survival with his new album “A Sweet Thing” out April 12th. Rossi has learned the hard way in the wake of a very painful divorce- that you can’t rush recovery. On the verge of burning out completely, he turned to music as a way to cope and confront his past. His new album A Sweet Thing is a cathartic emission of everything he thought he knew about life, himself and what it meant to process such overwhelming heartache.

Glide Magazine premieres Radiator King’s new single “Roll The Dice”

Radiator King, the Boston-bred/Brooklyn-based musician behind 2017’s A Hollow Triumph After Allis gearing up to release his newest project – the forthcoming EP Roll the Dice, due out February 15th via SoundEvolution records.

While the charm in Silvestri’s earlier catalogue derives from its workmanlike dedication to strain against mountains to unearth gold, on Roll The Dice it emanates from a wary wisdom that no such feats are needed. The gold has volunteered itself for discovery, only now Silvestri knows better than to revel long, if at all, in possessing. READ MORE…

by Baby Robot Media

People’s Blues of Richmond share new single “Don’t Give A Damn” at Glide Magazine

People’s Blues of Richmond (or PBR as they are affectionately referred to by their fans) is one of those rare three-pieces that somehow conjures the sonic power and visual intensity of a thunderstorm. Think Jimi Hendrix Experience meets MC5. They take psychedelic blues rock to a different level with a lyrical element seldom found in the genre. Think Bob Dylan writing lyrics for Black Sabbath songs. It’s hard to imagine until it’s right in your face. Then it’s hard to forget. READ MORE…

by Baby Robot Media

Glide Magazine Premieres Andrew Leahey’s “Make it Last” Off Latest LP

Written in the wake of a brain operation that nearly cost him his life, Andrew Leahey’s sophomore LP, “Airwaves”, is as carpe diem as they come, an urgent sonic love letter channeling the 1980s FM-radio anthems he cut his teeth on as a kid.

In addition to being an acclaimed solo artist featured at Rolling Stone, Billboard and American Songwriter, the Nashville-based Leahey is also a sought-after guitarist who regularly tours with Elizabeth Cook, and has backed Rodney Crowell, Drew Holcomb, Will Hoge and more. For Airwaves (out March 1), Leahey tapped multi-platinum producer Paul Ebersold, who enlisted Steelism’s John Estes and Jon Radford on bass and drums, respectively. Leahey also brought in his childhood best friend Phil Heesen III to add harmony vocals and guitar, as well as his buddy Sadler Vaden, who took a break from touring with Jason Isbell and the 400 Unit long enough to drop by the studio and lay down some guitar leads on “Start the Dance,” “We Came Here to Run” and “Workin Ain’t Workin.”

Patrick Damphier’s ‘Money In The Meter’ premieres at Glide Magazine

Say I’m Pretty—the gorgeous new album from Nashville-based musical polymath Patrick Damphier—is a collection of sun-kissed guitar pop that effortlessly glides across its 45-minute run time. But while each track seems deceptively simple, repeat listens reveal compelling nuance and depth. With the record’s layered production, a cascade of slowly evolving aural surprises lurks just beneath the hooks, while the lyrics explore characters caught in transition—keeping secrets, choosing sides, crossing bridges, vacillating between what’s real and what’s not, deciding whether to stay or go, fight or flee, be bought or sold, and also wondering if anyone notices them at all. Each spin brings a new discovery. READ MORE…

by Baby Robot Media

Glide Magazine premieres Charles Wesley Goodwin’s new single “Shrinks and Pills”

West Virginia is far more than meets the eye. A native of Morgantown, singer-songwriter Charles Wesley Godwin paints a rich and honest portrayal of his homeland and its people with his debut album. Seneca is a moving snapshot of his 26 years of life and well-soiled roots in the Appalachian hills, a backdrop that has given birth to some of the most intelligent and hard-working people in the country.

When you partake in his gripping storytelling, it comes as no surprise that Godwin’s shared bills with the likes of Shooter Jennings, Tyler Childers, Colter Wall, Luke Combs, Aaron Watson, David Allan Coe, Sundy Best, Waymore’s Outlaws and Nicholas Jamerson. Godwin is truly at home on stage and alongside like-minded musicians who go against the grain and shake up the status quo.

“This album will give people a really good look into what it’s like culturally in Appalachia. People have a way-off view from the outside of what we’re all about, what our priorities are and how smart we are,” says Godwin. The record is steeped to perfection in gentle mountain streams and a way of living that is surprisingly universal. Through earnest, sinewy craftsmanship, he mitigates the stereotypes that plague the state and reconfigures expectations.

Another essential piece of his story, “Shrinks and Pills” exhibits a dry, sly humor and sees Godwin lament the roar of the open road in his ears and an unquenchable homesickness wedged deep in his bones. He misses the comfort of his homestead, but he wouldn’t have it any other way–heartache be damned. “Hardwood Floors” dazzles in the dim light of a local pub as he shares a tender embrace with his wife amidst the ho-hum of the crowd…..READ MORE