There is a feeling that Williams, like her namesake Lucinda, has picked up on her mantle for delivering female-based perception and attitude in the Americana sphere, something that can only get better as time goes along, and age and experience are further brought to bear on her already impressively honed skills.
This is my first encounter with the music of William Russell Wallace. He had a previously well received album DIRTY SOUL, but on the evidence here this new release is every bit as good. Although Americana seems to come up in media mentions, to my mind it is a little more on the roots/rock side of things – a little more Tav Falco than full on Tom Petty to these ears (though the latter was undoubtably an influence).
Husband and wife Megan and Shane Baskerville’s first date was at a Motorhead concert at First Avenue in Minneapolis and, as their romance blossomed, they formed a ska band and eventually opened a School of Rock franchise in Arizona. In a previous life Shane had toured with a number of punk bands while Megan was a student of bluegrass, having grown up with a passion and love for country music.
One of my most played albums of the year, STUFF HAPPENS, from the idiosyncratic Stuffy Shmitt featured in our review section back in February of this year. It made an immediate impact, to say the least, with its stockpile of raging rockers alongside smooth ballads, which found the author digging into the memory vaults and recalling incidents and characters from his explosive past.
Settled and reinvigorated in East Nashville, following a near self-destructive existence in New York, Stuffy hooked up with producer Brett Ryan Stewart and multi-instrumentalist Chris Tench to record the album at Stewart’s studio in Franklin, Tennessee. What also followed were some striking videos to promote a number of the songs, filmed by the talented husband and wife duo Ahana Kaye and Iraki Gabriel.
A survivor, by the skin of his teeth, of decades at the bumpy end of the music business, STUFF HAPPENS is Stuffy Shmitt’s first album in eight years. Living in New York, at the end of his tether, battling bipolar disorder and on a self-destructive path, he made the crucial decision to finally ditch his deadly lifestyle in the West Village and attempt to rebuild his life. Moving to Nashville and getting himself correctly medicated set him on a path towards normality and regained sanity.
With a clear head and decades of demons to exorcise, the resulting album is a treasure chest of honest and hard-hitting songs. Writing from personal experiences and observations Mommy And Daddy recalls his parents, once wild, carefree and unpredictable, now aged and weakening. The raunchy opener It’s OK speaks openly of a close friend, a walking car wreck who’s constantly messing up, despite the many helping hands offered to her. His vocals never sounded better than on the belter She’s Come Unglued. It boasts an addictive and killer riff and tells the story of a partner heading for a breakdown and a crumbling relationship. The striking piano led ballad The Last Song grieves a failed love affair and Sleeping On The Wet Spot is a self-deprecating yarn of recurring catastrophe, a possible recap on the writer’s often ill-fated life choices.
An unusual yet exceptional combination of soothing ballads and hardcore rockers, STUFF HAPPENS plays out like a few genres melting together, by an artist with a hyperactive brain and on this occasion, firing on all cylinders.
Raised in small town Michigan, a musical career was not Michelle Billingsley’s intended life journey. As a young aspiring actor, she headed to Los Angeles with stars in her eyes and dreams of leading roles and Oscars. Things did not go to plan and she departed L.A. with broken dreams, and quite distressed. She changed artistic direction and rebuilt her confidence, committing her life experiences to song on her excellent debut album, NOT THE MARRYING KIND. Her tales of dysfunctional relationships, depression, toxic parent issues and heartache are superbly written, often shocking, and occasionally hilarious. Michelle explained the background and history of the album when we caught up with her recently.